Assessment of Professional Circus Students’ Psychological Characteristics at Four Strategic Timepoints over the Scholastic Year: A Longitudinal Study Using the Stress Process Model
Abstract:OBJECTIVE: The circus professionalization process entails extensive training to mitigate the high-risk demands which increase stress in artists. In high-risk professions, everyday hassles (challenges) contribute greatly to overall stress. To capture the impact of daily challenges on
student-artists, the aim of the current study was to describe the magnitude and pattern of daily challenges as well as their relationships with perceived coping, anxiety, fatigue, and psychological distress. METHODS: Ninety-two st… Show more
“…This could explain a great heterogenity in the body composition of the students in accordance to their backgrounds (Africans, Europeans, South American and Natives) as well as differences in body demands from each circus discipline. A similar diversity in population was noticed by Decker (2020) in Canada. This suggests that biological diversity should be an aspect to be taken into account when a multinational circus school's students is analyzed.…”
Section: Discussionsupporting
confidence: 80%
“…So far, the only comparison we can make with professional circus students is with the recent study developed by Decker (2020), who used a more accurate method (DEXA) for body composition assessment of Montreal National Circus School students and finding a very similar result to ours. Concerning BF%, his results showed 16.2% for woman, 8.9% for men and 11.5% for all; while our study was found 16.8% for woman, 7.1% for men and 11.4% for all.…”
Section: Discussionsupporting
confidence: 63%
“…This program is free of charge and in the last years, every selected student received a monthly scholarship support (Silva, 2015), allowing the students to dedicate themselves fulltime in a two-year program. The training program goes from Monday through Friday, making 22 to 30 hours of activities weekly turning the workload comparable to high performance athletes (Shrier et al, 2009;Decker, 2020). The intensive training requires specific assessments, planning and monitoring (Bompa & Haff, 2009), aiming efficiency in the body preparation process, prevention of injuries and burnouts (Goudard & Chardon, 2010).…”
Section: Introductionmentioning
confidence: 99%
“…Therefore, an adequate physical conditioning is the key element to reduce the risk of injuries and enhance performance (Ramirez, 2005), as recommended by the European Federation of Professional Circus Schools (FEDEC) (Demey & Wellington, 2010). The training workload may affect health, wellbeing and artistic performance; it is definitely a critical issue to protect circus students, to optimize the economical investment and to enhance quality of performance (Wanke et al, 2012;Prior et al, 2015), mainly concerning the contemporary circus (Decker, 2020).…”
Section: Introductionmentioning
confidence: 99%
“…There is little information about body composition concerning professional circus school students. In order to provide more accurate data, as suggested by Hakim et al (2018) and Decker (2020), the goal of this study is to describe the body composition of Brazilian NCS students, believing it will support the training work load planning, as well as, the resting hours, energy needs, food intake and replacements recommendation for individual or specific groups of students.…”
Problem Statement. Professional education in circus has been increasing worldwide, placing the training programmes at the center of circus debate. Purpose. Concerning the physical demands of circus students, this research describes the body composition of Brazilian National Circus School students. Approach. Skinfold analyses was used to estimate body fat (%), fat free mass (kg) and body mass index (kg/m-2) in 57 students (n= 30 men, n= 27 women). Results. Men presented higher body weight, height, fat free mass (men 67.2 ± 7.0 kg and 45.7 ± 4.7 kg and for women), body mass index (men 24.1 ±1.6 kg/m2 and women 21.4 ± 2.0 kg/m2) and lower body fat (%) compared to women (men 7.2 ± 3.7 % and women 16.3 ± 3.7). The reassessment showed no differences in body composition for both sexes, a large heterogeneity of interindividual responses was observed (-3.9 to 4.0 for women; -1.5 to 6,5 men). Conclusions. The body fat and body mass index are similar to high performance athletes. No difference was observed between the assessments. The interindividual response to training showed no effect on body fat. However, the interindividual heterogeneity responses suggest adjustments of physical conditioning protocol in order to optimize the responses individually. The 7 or 3 skinfold protocol did not differ on the outcomes. Body composition of circus students’ needs to take into account the circus disciplines, age and biological diversity, and it is a key aspect to monitor training to avoid unsafe situations or unhealthy status.
Keywords: performing arts; anthropometry; body mass; physical training.
“…This could explain a great heterogenity in the body composition of the students in accordance to their backgrounds (Africans, Europeans, South American and Natives) as well as differences in body demands from each circus discipline. A similar diversity in population was noticed by Decker (2020) in Canada. This suggests that biological diversity should be an aspect to be taken into account when a multinational circus school's students is analyzed.…”
Section: Discussionsupporting
confidence: 80%
“…So far, the only comparison we can make with professional circus students is with the recent study developed by Decker (2020), who used a more accurate method (DEXA) for body composition assessment of Montreal National Circus School students and finding a very similar result to ours. Concerning BF%, his results showed 16.2% for woman, 8.9% for men and 11.5% for all; while our study was found 16.8% for woman, 7.1% for men and 11.4% for all.…”
Section: Discussionsupporting
confidence: 63%
“…This program is free of charge and in the last years, every selected student received a monthly scholarship support (Silva, 2015), allowing the students to dedicate themselves fulltime in a two-year program. The training program goes from Monday through Friday, making 22 to 30 hours of activities weekly turning the workload comparable to high performance athletes (Shrier et al, 2009;Decker, 2020). The intensive training requires specific assessments, planning and monitoring (Bompa & Haff, 2009), aiming efficiency in the body preparation process, prevention of injuries and burnouts (Goudard & Chardon, 2010).…”
Section: Introductionmentioning
confidence: 99%
“…Therefore, an adequate physical conditioning is the key element to reduce the risk of injuries and enhance performance (Ramirez, 2005), as recommended by the European Federation of Professional Circus Schools (FEDEC) (Demey & Wellington, 2010). The training workload may affect health, wellbeing and artistic performance; it is definitely a critical issue to protect circus students, to optimize the economical investment and to enhance quality of performance (Wanke et al, 2012;Prior et al, 2015), mainly concerning the contemporary circus (Decker, 2020).…”
Section: Introductionmentioning
confidence: 99%
“…There is little information about body composition concerning professional circus school students. In order to provide more accurate data, as suggested by Hakim et al (2018) and Decker (2020), the goal of this study is to describe the body composition of Brazilian NCS students, believing it will support the training work load planning, as well as, the resting hours, energy needs, food intake and replacements recommendation for individual or specific groups of students.…”
Problem Statement. Professional education in circus has been increasing worldwide, placing the training programmes at the center of circus debate. Purpose. Concerning the physical demands of circus students, this research describes the body composition of Brazilian National Circus School students. Approach. Skinfold analyses was used to estimate body fat (%), fat free mass (kg) and body mass index (kg/m-2) in 57 students (n= 30 men, n= 27 women). Results. Men presented higher body weight, height, fat free mass (men 67.2 ± 7.0 kg and 45.7 ± 4.7 kg and for women), body mass index (men 24.1 ±1.6 kg/m2 and women 21.4 ± 2.0 kg/m2) and lower body fat (%) compared to women (men 7.2 ± 3.7 % and women 16.3 ± 3.7). The reassessment showed no differences in body composition for both sexes, a large heterogeneity of interindividual responses was observed (-3.9 to 4.0 for women; -1.5 to 6,5 men). Conclusions. The body fat and body mass index are similar to high performance athletes. No difference was observed between the assessments. The interindividual response to training showed no effect on body fat. However, the interindividual heterogeneity responses suggest adjustments of physical conditioning protocol in order to optimize the responses individually. The 7 or 3 skinfold protocol did not differ on the outcomes. Body composition of circus students’ needs to take into account the circus disciplines, age and biological diversity, and it is a key aspect to monitor training to avoid unsafe situations or unhealthy status.
Keywords: performing arts; anthropometry; body mass; physical training.
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