2014
DOI: 10.1121/1.4872300
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Assessing the effects of temporal coherence on auditory stream formation through comodulation masking release

Abstract: Recent studies of auditory streaming have suggested that repeated synchronous onsets and offsets over time, referred to as "temporal coherence," provide a strong grouping cue between acoustic components, even when they are spectrally remote. This study uses a measure of auditory stream formation, based on comodulation masking release (CMR), to assess the conditions under which a loss of temporal coherence across frequency can lead to auditory stream segregation. The measure relies on the assumption that the CM… Show more

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Cited by 16 publications
(13 citation statements)
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References 54 publications
(81 reference statements)
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“…If the sequences are presented coherently and synchronously, they will tend to form a single stream, even if they differ along other dimensions (Micheyl et al 2013a). Note that temporal coherence goes beyond simple synchrony: Although sound elements are generally perceived as belonging to a single source if they are gated synchronously (e.g., Bregman 1990), when synchronous sound elements are embedded in a longer sequence of similar sounds that are not presented synchronously or coherently, no grouping occurs, even between the elements that are synchronous (Christiansen & Oxenham 2014, Elhilali et al 2009).…”
Section: Surveying the Auditory Scenementioning
confidence: 99%
“…If the sequences are presented coherently and synchronously, they will tend to form a single stream, even if they differ along other dimensions (Micheyl et al 2013a). Note that temporal coherence goes beyond simple synchrony: Although sound elements are generally perceived as belonging to a single source if they are gated synchronously (e.g., Bregman 1990), when synchronous sound elements are embedded in a longer sequence of similar sounds that are not presented synchronously or coherently, no grouping occurs, even between the elements that are synchronous (Christiansen & Oxenham 2014, Elhilali et al 2009).…”
Section: Surveying the Auditory Scenementioning
confidence: 99%
“…Temporal coherence also explained why a few synchronous tone sequences perceptually pop-out even in the midst of a dense background of random tones4, and why prominent electroencephalogram responses to these synchronous tones emerge even in the absence of other distinguishing features such as global changes in signal power or local tone densities56. Finally, temporal coherence has also been demonstrated to play a role in co-modulation masking release78 and its dynamics have recently been imaged in the primary auditory cortex9.…”
mentioning
confidence: 93%
“…Both MMR and MMR+ are strongly reduced in hearing-impaired individuals and cochlear-implant users ( Bacon, Opie, & Montoya, 1998 ; Ihlefeld, Shinn-Cunningham, & Carlyon, 2012 ; Léger, Reed, Desloge, Swaminathan, & Braida, 2015 ; Nelson, Jin, Carney, & Nelson, 2003 ; Oxenham & Kreft, 2014 ; Pierzycki & Seeber, 2014 ; Zirn, Hempel, Schuster, & Hemmert, 2013 ). Although peripheral dysfunction can explain much of this impairment, MMR is thought to arise from a combination of peripheral and CNS mechanisms ( Christiansen & Oxenham, 2014 ; Dau, Ewert, & Oxenham, 2009 ; Dau, Piechowiak, & Ewert, 2013 ). The premise of several successful MMR models is that temporal correlation between masker bands at different frequencies makes it easier for listeners to detect a tone in the energetic dips of a fluctuating masker ( Dau et al., 2013 ; Pressnitzer, Meddis, Delahaye, & Winter, 2001 ), a computation that cannot be performed in the cochlea.…”
Section: Introductionmentioning
confidence: 99%