2018
DOI: 10.1111/jade.12167
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Assessing Millennials in College‐Level Fashion Design Studios: A Study of Evidence‐Based Practice

Abstract: Providing quality feedback that is both positive and effective while maintaining the required student grade confidentiality is a conundrum for faculty. This issue is particularly complex for faculty teaching studio courses (e.g. fashion design) with performance or creativity components where feedback has traditionally been given publicly as desktop reviews in the open studio. The difficulty of giving feedback in the studio‐style classroom is compounded when teaching millennial college students who tend to reje… Show more

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Cited by 7 publications
(5 citation statements)
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References 23 publications
(81 reference statements)
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“…The subjective nature of design learning and assessment and its deep engagement with the tacit dimension of knowledge might look less than rigorous. Such a criticism may well have been justified 20 to 30 years ago but in that time a growing body of research literature on the important role of explicit assessment criteria, and more recently the application of those in systematic rubric frameworks, has begun to make a virtue of the interpretive dimension of the professional judgment that is required in assessing and evaluating student performance (Lindström, 2006; Eshun and de Graft‐Johnson, 2011; Smith, 2013; Welch and Loy, 2013; Wilson and Zamberlan, 2017; Kincade et al, 2019). The use of assessment criteria using rubrics (aka grade descriptors) does not “diminish the professional judgement of staff, they just require them to exercise it differently, in a way that is more transparent and meaningful for students” (Calvert, 2005).…”
Section: The Design Project and Studio‐based Learningmentioning
confidence: 99%
“…The subjective nature of design learning and assessment and its deep engagement with the tacit dimension of knowledge might look less than rigorous. Such a criticism may well have been justified 20 to 30 years ago but in that time a growing body of research literature on the important role of explicit assessment criteria, and more recently the application of those in systematic rubric frameworks, has begun to make a virtue of the interpretive dimension of the professional judgment that is required in assessing and evaluating student performance (Lindström, 2006; Eshun and de Graft‐Johnson, 2011; Smith, 2013; Welch and Loy, 2013; Wilson and Zamberlan, 2017; Kincade et al, 2019). The use of assessment criteria using rubrics (aka grade descriptors) does not “diminish the professional judgement of staff, they just require them to exercise it differently, in a way that is more transparent and meaningful for students” (Calvert, 2005).…”
Section: The Design Project and Studio‐based Learningmentioning
confidence: 99%
“…In addition, average workers with design skills seem more valuable compared with workers without these skills because apparently design skills can help workers to drive higher productivity, generating innovation to work-related problems through creative thinking and problem-solving skills (Design Council, 2018). However, this may post challenges for design educators as we may already have a difficult time teaching our Millennial design students (Kincade, 2019). Yet the modern way of design has changed and gone beyond the discipline of design, and we, design educators must be more openminded than before.…”
Section: Transdisciplinary Learningmentioning
confidence: 99%
“…To date there is limited research in art education specific to selective artist selfidentification. There is, however, research that peripherally informs how teacher and student identities influence university-level teaching practices: For example, researchers demonstrate how identity characteristics common to millennial university-level students impact public dialogue, instructional feedback, grading, and critique in a studio setting (Kincade et al 2019). Other researchers explore connections between emotional intelligence, gender and personal development (Fida et al 2018).…”
Section: Research Supporting a Study Of Selective Selfidentificationmentioning
confidence: 99%