Artistic Traditions of the East and West in Contemporary Kazakh Design

Abstract

Purpose of the study: The purpose of the article is to determine the degree of interaction of the eastern and western art schools in the practice of Kazakh design and to identify their role in the formation and development of design in Kazakhstan.
 Methodology: The study is based on a complex methodology determined by an interdisciplinary approach involving the use of the methods of historicism, systematization, stylistic analysis, and comparative analysis. The methodology was based on research concepts of T. Stepanskaya, R. Yergaliyeva, E. Balabekov, B. Amanov, A. Mukhambetova.
 Main Findings: Based on the studied sources, the authors can draw the following conclusions: 1) The interaction of artistic traditions of the East and West is due to the fundamental unity of the human race, ensuring the permeability of cultural boundaries; 2) The diversity of creative individuality, originality of modern approaches combined with the achievements of traditional culture are the distinguishing features of the professional values of contemporary Kazakh design.
 Applications of this study: Thus, the scientific and practical significance of the study consists in the fact that: - the results can be the basis for the development of lecture courses in the framework of educational programs of higher education institutions for the specialty “Design”; - the conclusions can serve as an impulse for creative development in the modern practice of transmitting national traditions in design.
 Novelty/Originality of this study: The originality of the research is associated with the identification of trends and prospects for the development of fashion, advertising, interior, and environmental design in the modern cultural environment of Kazakhstan, as well as the establishment of the importance of spiritual and aesthetic foundations of color scheme in the disclosure of the figurative components of design projects. The novelty of the research consists in determining the influence of the traditional color scheme of Kazakh decorative and applied arts on the shaping and color scheme in the products of modern design, many of which are the main bearers of the regional ethno-semantics.

Prerequisites for the emergence of the artistic movement of Tobaism in the fine arts of Kazakhstan

“…Semenov (22) , I. Smirnov (19) , K. Emelyanova, (23), L.I. Nekhvyadovich (24) ; Kazakh scientists -Sh.S. Turganbayeva ( 25) , B.A.…”

La propedéutica del diseño ecológico e implementación del programa dual “Ciencia – Educación – Producción

“…In the course of their evolution, a need arose to create an extremely versatile form of housing that could be easily transported in space (26) . When moving, the structure of the yurt was solemnly dismantled, and all its individual structural components were transported on camels and horses (27) . In the published scientific studies of Kazakh scientists, it was proved that it was on the territory of the forest-steppe zone of Kazakhstan during the period of the Botai culture that the horse was first tamed in the time period of the Neolithic and Eneolithic 5-4.5 thousand years ago.…”