Arte e Espressione. Studi e Ricerche di Psicologia Dell'arte by argenton, alberto

Verstegen, Ian

doi:10.1111/j.1540-6245.2010.01403_10.x

Cited by 1 publication

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“…And Argenton provided us with a lot of evidence during the meetings, punctually documented by many artistic images, showing us -"pointing with the index finger", as Arnheim would say (1992, p. 181) -a number of phenomena that he was studying, such as: the dynamic effects of obliquity, exemplified through the pictorial representation of windmills (Argenton, 2001) and of timepieces (Argenton & Prest, 2003), or a particular type of "contour rivalry", which he called the "swing effect", present in various graphic and pictorial artistic genres (Argenton, 2004b) -thus anticipating, and discussing with us, themes that he would later systematise in a book (Argenton, 2008(Argenton, , 2019; the perceptual reasons for the use of visual tropes in paintings and other types of images (Argenton, 2007); the perceptual devices used in the pictorial representation of stories (Argenton & Prest, 2008b), a prelude to the research presented in this volume; and many others.…”

Section: Alberto Argenton and The Creative Freedom Of Sciencementioning

confidence: 99%

“…The assumptions underpinning Argenton's research, recalled here very briefly, and his studies, in particular those based on the analysis of extensive thematic repertoires of artistic works (Argenton, 2008(Argenton, , 2019, together with other theoretical contributions from the psychology of art, primarily by Arnheim (1969Arnheim ( , 1974, and the psychology of perception, have guided the development of this study.…”

Section: Introduction About This Bookmentioning

confidence: 99%

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Showing Time: Continuous Pictorial Narrative and the Adam and Eve Story

Messina-Argenton

Agostini

Prest³

et al. 2022

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Section: Alberto Argenton and The Creative Freedom Of Sciencementioning

confidence: 99%