2018
DOI: 10.1386/eta.13.3.395_1
|View full text |Cite
|
Sign up to set email alerts
|

Art teacher training: A photo essay

Abstract: This photo essay is part of a performance entitled ‘The Topsy-Turvey Classroom’. It involves students participating in a Master’s programme for visual arts teachers and was staged by surprise on their first day of class. These photographs help the spectator to relive and interpret the experiences that these students had when the door opened on our peculiar ‘Art Basement’. We can see their unexpected reactions, preconceived expectations turned upside down, expressions of uncertainty, unpredictable movements, a … Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
1
0
4

Year Published

2018
2018
2024
2024

Publication Types

Select...
7
1

Relationship

1
7

Authors

Journals

citations
Cited by 11 publications
(5 citation statements)
references
References 0 publications
0
1
0
4
Order By: Relevance
“…Crucially, this orientation equips educators to address persistent inequalities and power dynamics within classrooms driven by factors like race, class, ability, gender, and whiteness (Harris & Jones, 2020). In addition to these advancements, there is an increasing interest in exploring the atmospheres generated by affective arts practices, objects, and spaces, and the possibilities they open up (Mesías-Lema et al, 2020;Thompson & Hall, 2021). This focus on affective BUKS #68/2024 93 thinking brings into the spotlight the materiality of learning (Mulcahy, 2019), encouraging a broader view of agency that includes not only individuals but also objects, spaces, places, and atmospheres (Krueger, 2021).…”
Section: Affective Dimensions In Playful Learning: Navigating Comfort...mentioning
confidence: 99%
“…Crucially, this orientation equips educators to address persistent inequalities and power dynamics within classrooms driven by factors like race, class, ability, gender, and whiteness (Harris & Jones, 2020). In addition to these advancements, there is an increasing interest in exploring the atmospheres generated by affective arts practices, objects, and spaces, and the possibilities they open up (Mesías-Lema et al, 2020;Thompson & Hall, 2021). This focus on affective BUKS #68/2024 93 thinking brings into the spotlight the materiality of learning (Mulcahy, 2019), encouraging a broader view of agency that includes not only individuals but also objects, spaces, places, and atmospheres (Krueger, 2021).…”
Section: Affective Dimensions In Playful Learning: Navigating Comfort...mentioning
confidence: 99%
“…A través de este contacto con el Surrealismo se resaltan principios tan importantes en la creación, pero tan poco valorados en el Dibujo Técnico, como la casualidad y el papel del azar, imprescindibles motores de creación (Palmegiani, 2018 Se desglosan en dos bloques las diferentes etapas que dan forma a la propuesta y ayudan a aprender a habitar el aula como un laboratorio experimental donde el espacio, el individuo y los conceptos se transforman (Mesías-Lema, 2017.…”
Section: Anamorfosis Magia En La Representaciónunclassified
“…Esta investigación Ciudad imaginada, se realizó durante el curso académico 2018-2019 en formato de laboratorio artístico de experimentación contemporánea en el CEIP Vicente Otero Valcárcel (Carral, A Coruña).El laboratorio constituyó un espacio creativo fuera del aula de 1 de primaria. En él, el alumnado puede experimentar con la creación artística dentro del contexto escolar, rompiendo así con su rutina y otorgando a este espacio la capacidad metodológica de gozar, repetir, fracasar, estimular los procesos creativos de calidad en Educación Artística (Mesías-Lema, 2017). Partiendo del pensamiento pedagógico y artístico anteriormente mencionado, las estrategias y micro-acciones surgen a partir de la visita a individuo que está en él.…”
Section: Boy From Loray Mill Lewis Hine 1908unclassified