Abstract:The article focuses on the artistic and organisational practices of Polish constructivist artist Władysław Strzemiński, especially on his expanded idea of art as an agent of cultural and social modernisation. The author shows how in Strzemiński's case the modernisation imperative translated into what can be called “double politics”. Strzemiński's successful attempt at creating the International Collection of Modern Art, which later became the basis of the Muzeum Sztuki in Łódź as a museum of the avant-garde, i… Show more
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