Art, artifice, and eroticized infantilization: Imagining Japanese femininities in the Weimar Republic in Fritz Lang's Harakiri (1919) and Kapitän Mertens's “Kio, die lasterhafte Kirschblüte” (1924)
Abstract:This article focuses on the ways in which a Japan‐specific Orientalism regarding Japanese femininities establishes itself in Weimar Germany's popular culture. In this period of German democratization in which we observe Weimar women's social, sexual, and political liberation, I propose that popular culture texts such as Fritz Lang's film Harakiri (1919) and Kapitän Mertens's magazine publication “Kio, die lasterhafte Kirschblüte” (1924) created an alternative fantasy engaging with contemporary anxieties and dr… Show more
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