2010
DOI: 10.4324/9780203833940
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Art and Phenomenology

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Cited by 8 publications
(3 citation statements)
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“…In this century, art criticism has expanded to incorporate scientific studies of perception, cognition, and the philosophy of phenomenology (37). Mark B. N. Hansen (38,39), in New Philosophy for New Media, notes that artists' digital works "compel us to confront the rich temporal depth, or affective bodily spacing, that underlies our complex experience of time."…”
Section: Methodsmentioning
confidence: 99%
“…In this century, art criticism has expanded to incorporate scientific studies of perception, cognition, and the philosophy of phenomenology (37). Mark B. N. Hansen (38,39), in New Philosophy for New Media, notes that artists' digital works "compel us to confront the rich temporal depth, or affective bodily spacing, that underlies our complex experience of time."…”
Section: Methodsmentioning
confidence: 99%
“…In keeping with this interest in the person as artist, they chose a broadly phenomenological framework focused on uncovering lived embodied experience. This approach included Merleau-Ponty's phenomenological theories of embodied art (Haworth, 1997;Parry, 2011), Csikszentmihalyi's theories of creative flow (Csikszentmihalyi, 1996), andMcCarthy et al (2006) dialogic insights into the relationship between the artist and art work.…”
Section: A Quality Arts Educationmentioning
confidence: 99%
“…As Haworth (1997) explains, Merleau-Ponty's theories of embodiment in artwork provide a framework for thinking about individual artistic styles as emerging from the body and informed and shaped by the individual's history. Moreover, as Parry (2011) argues, making art, like all other perceptual endeavors, can lead to new understandings and even transformations in the artist's life world. "…”
Section: A Quality Arts Educationmentioning
confidence: 99%