Art, Agency and Living Presence

Eck, Caroline van

doi:10.1515/9783110345568

Cited by 23 publications

(12 citation statements)

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“…De este modo, y a la luz de las propuestas presentadas por el alumnado del grado de Maestro en Primaria, dentro de la asignatura de EVyP, así se ha visto. En esta línea, asistimos a una atención renovada sobre las formas materiales de las imágenes, donde existen en la actualidad investigaciones que integran dentro del conocimiento que arrojan los propios objetos e imágenes disciplinas como la historia del arte, la antropología, la arqueología y la museología y que ha producido una importante bibliograf ía en la última década (Van Eck et al, 2015;Van Eck 2015a;Van Eck, 2015b).…”

Section: Antecedentesunclassified

“…En este sentido, señalamos el hincapié que debe hacerse desde la propia materialidad desde la cual surgen las formas de animación de la imagen, que hacen de la misma, un "objeto excesivo", tal y como estudia a lo largo de la historia del arte (Van Eck, 2015a;Van Eck, 2015b). Este objeto excesivo, materializado en su tridimensionalidad se presenta como la solución posible en un aprendizaje integrador que reúne a lo artístico con otras áreas de conocimiento.…”

Section: Antecedentesunclassified

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Imagen, materia y objeto: una experiencia pedagógica en torno al dispositivo-artístico- didáctico para la construcción de espacios de aprendizaje en el grado de primaria

Ramos-Vallecillo,

Murillo-Ligorred

2024

REXE

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Section: Antecedentesunclassified

Imagen, materia y objeto: una experiencia pedagógica en torno al dispositivo-artístico- didáctico para la construcción de espacios de aprendizaje en el grado de primaria

Ramos-Vallecillo,

Murillo-Ligorred

2024

REXE

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“…18 by the compiler, 14 who, in the introduction to the fifth novella, still references the omitted tale and narrator: La nouella de dioneo contada con un poco de verguença pungio los coraçones delas dueñas presentes, la qual verguença asas demostro enel honesto color que enlos gestos suyos se ençendio 15 where the Italian reads: La novella di Dioneo raccontata prima con un poco di vergogna punse i cuori delle donne ascoltanti e con onesto rossore nel loro viso apparito ne diede segno 16 E presents an almost word for word translation of the introduction to i. 5, where such close adherence to the original text impedes understanding rather than aiding it. These preambles, along with the introduction in chapters 1-9, are all that remains of the cornice: the introductions and conclusions to each day have been entirely omitted, along with Boccaccio's Proemio and Conclusione dell'autore.…”

Section: The Escorial Manuscriptmentioning

confidence: 99%

“…4 Laplanche, contrastingly, insists on the 'exogenous, traumatic and intrusive' formation of the sexual subject. 5 Trauma, as discussed by Freud in Beyond the Pleasure Principle (1920), is also subject to the Copernican-Ptolemaic duality. Freud discusses the victim's 'compulsion to repeat' traumatic events.…”

Section: University Of Leedsmentioning

confidence: 99%

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2021

Working Papers in the Humanities

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In those days, this nymph was more than a voice.-Ted Hughes 1 Blow, bugle, blow, set the wild echoes flying, And answer, echoes, answer, dying, dying, Lord Tennyson 2 This present volume is indebted to an illuminating keynote lecture given in 2018 by the writer and translator Jhumpa Lahiri, for the Society for Italian Studies Biennial conference at the University of Edinburgh. Her lecture drew a sustained and insightful parallel between the mythical figure of Echo and the perils and potentials of literary translation, lingering on the intellectual depth of the echo as a concept. This depth is reflected in the many ways that the authors of this volume have chosen to engage with the theme. They draw on ideas of translation, but also on personal identity, memory, tropes, and trauma. They share with Lahiri's lecture an emphasis on the (mis)communication of the echo, an idea befitting the multilingual remit of Working Papers in the Humanities. With essays on literature and culture in French, English, German, Italian, and Spanish; and spanning from the work of Boccaccio in the fourteenth century, to Leïla Slimani in the twenty-first century, we hope that readers find compelling threads between these diverse ideas and perspectives.A salient feature of the echo is its dislocation, both in terms of place and time. This distance recalls a persistent temporal thread in last year's volume, entitled 'Reframing Exoticism in European Literature'. The contributors to the aforementioned volume often described a Western culture that conceived of the East in terms of an idealized, unreachable past. The echo is identified as a diminished present relative to a more complete past; but drawing on the critical theory of Exoticism we can question the truth of this original wholeness.

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Art and Agency in the Era of De-Structuration: Exploring a New Field

Sorokin,

Afanaseva,

Goloshchapov

2023

Integr. psych. behav.

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Human agency, implying, from sociology’s perspective, proactive or even transformative individual behaviour upon the social world (or “social structures” as sociologists call them), remains one of the central concepts and problems for both social science and practice. Current stage of societal evolution, de-structuration, makes individual agency especially important for both individual and collective well-being. In this context, the contribution of contemporary art (2018–2022) to agency issues remains little known in the academic world. The objective of this paper is to examine how contemporary art representatives (artists, curators, and experts) express the issue of agency through their artworks, and to compare this viewpoint with the interpretations from other areas of public life. The focus is on those aspects, ideas, and meanings related to agency that are accessible to a broad audience and can be applied to phenomena outside the realm of art but remain overlooked or underdeveloped in current academic discussions on agency. The authors analyse initiatives in both institutional and non-institutional art on a global scale, and explore their manifestations and impact in comprehending and advancing agency. Finally, this article proposes a typology of agency manifestations in contemporary art: (1) straightforward (strong, radical, protest) agency; (2) escapism; (3) panic agency; (4) subject-object carnivalism.

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Art, Agency and Living Presence

Cited by 23 publications

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Imagen, materia y objeto: una experiencia pedagógica en torno al dispositivo-artístico- didáctico para la construcción de espacios de aprendizaje en el grado de primaria

Imagen, materia y objeto: una experiencia pedagógica en torno al dispositivo-artístico- didáctico para la construcción de espacios de aprendizaje en el grado de primaria

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Art and Agency in the Era of De-Structuration: Exploring a New Field

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