2017
DOI: 10.1177/0306396816686278
|View full text |Cite
|
Sign up to set email alerts
|

Archives, race, class and rage

Abstract: This is an edited version of a keynote speech to the annual conference of the Archives and Records Association 2016 in which a leading black British cultural curator, using the concept of ‘reparative histories’, charts his own involvement in and knowledge of recent milestones in black cultural heritage intervention in the UK. Referencing the London Mayor’s Commission on African and Asian Heritage, the museum world’s marking of the ‘2007 bi-centenary of the Act abolishing the Atlantic slave trade’ and the signi… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

1
4
0

Year Published

2018
2018
2021
2021

Publication Types

Select...
6

Relationship

0
6

Authors

Journals

citations
Cited by 7 publications
(5 citation statements)
references
References 1 publication
1
4
0
Order By: Relevance
“…This project's results showed that only 21% of these resources were created by members of the Black community. This finding supports assertions, particularly Flinn's (2007) and Prescod's (2017). This finding hopefully may help repositories, the BGA included, be more aware of the provenance of resources, especially in regard to the Black community, in order to create more equally representative collections.…”
Section: Discussionsupporting
confidence: 76%
See 1 more Smart Citation
“…This project's results showed that only 21% of these resources were created by members of the Black community. This finding supports assertions, particularly Flinn's (2007) and Prescod's (2017). This finding hopefully may help repositories, the BGA included, be more aware of the provenance of resources, especially in regard to the Black community, in order to create more equally representative collections.…”
Section: Discussionsupporting
confidence: 76%
“…(p. 79) In addition, HistoryMakers (2010) notes that collections relate largely to "slavery, the Civil Rights movement, music, sports, and entertainment" (as cited in Gibbs, 2012, p. 199). Prescod (2017) indicates that there is also a lack of "Black agency in the making of the record," where instead this history is crafted by mainstream society (p. 76).…”
Section: Overviewmentioning
confidence: 99%
“…Colin Prescod has recently recognised the work that has been done by archivists and curators on Black cultural heritage, but makes a powerful argument for moving beyond including the Black experience to allowing Black agency in the making of the record. 50 Black community groups have registered anger and frustration about the opportunities that have been lost, the disappointment of hopes raised in 2007 of changes that would be made, collaborations that would develop, more genuinely inclusive policies that would be implemented. It is just as urgent to insist that Black Lives Matter in the wake of Grenfell as it was in 2007, 1807 or 1833.…”
Section: Disavowal and Evasionmentioning
confidence: 99%
“…It is a moment, however, that reaches out from the history of the enslaved to illuminate what Colin prescod has termed the 'radical histories of resistance to White supremacy, locally and globally'. 10 It is a moment opened up by the Legacies of British Slave-ownership project.…”
Section: Memorial Battles For the Racialised Pastmentioning
confidence: 99%