Architectural Space as a Factor of Regional Cultural Identity

Tamarovskaya, Anastasia N.; Kistova, Anastasia V.; Тамаровская, А Н

doi:10.17516/1997-1370-2015-8-4-735-749

Cited by 5 publications

(2 citation statements)

References 17 publications

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“…The articles of Krasnoyarsk authors on the ability of architectural spaces to form people's ideas about themselves, about society and about the world, i.e. person's cultural identity, are devoted to its study (Tarasova, Grigorieva, 2011;Pimenova, Marysheva, 2011;Mirkes, Sergeeva, 2011;Kolesnik, Mirkes, 2011;Kistova, Tamarovskaya, 2015;Ilbeykina et al, 2015;Avdeeva, Degtyarenko, Shpak, 2017). This process is also impossible without appealing to the visual arts of the region (Sertakova, Gerasimova, 2011;Semyonova, Bralkova, 2011;Bulak, 2014;Bulak, 2018;Amosova et al, 2019) and paintings of some artists (Semenova, Soshenko, 2011;Kolesnik, et al 2017;Panteleeva, 2018).…”

Section: Introductionmentioning

confidence: 99%

The Image of the Yenisei in the Paintings of Krasnoyarsk Artists

Kistova

Bulak

Pimenova

et al. 2020

Journal of Siberian Federal University. Humanities &Amp; Social Sciences

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The Yenisei river occupies a significant place both in the sphere of regional identity and in paintings and graphic works of Krasnoyarsk artists, since it forms the image of Krasnoyarsk and is a connecting link of the Yenisei Siberia. The article analyses paintings and graphic works of Krasnoyarsk artists to identify the features of the image of the Yenisei in regional art. The study is based on the theoretical principles of the modern theory of visual arts and on the analysis of the selected paintings and graphic works of Krasnoyarsk artists of the 20th and 21st centuries from the collection of the Krasnoyarsk Art Museum named after V.I. Surikov. A wide range of sources, including studies of ethnocultural identity, the specific features of artistic culture and the characteristics of Krasnoyarsk landscapes is considered. In the process of comparing the analysis results, it has been revealed that for Krasnoyarsk artists the Yenisei is not only the embodiment of endless natural forces, but also a connecting and harmonising link between the human world and the natural world, at the same time representing a special identity of Siberians (Amosova, et al., 2019)

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Section: Introductionmentioning

confidence: 99%

The Image of the Yenisei in the Paintings of Krasnoyarsk Artists

Kistova

Bulak

Pimenova

et al. 2020

Journal of Siberian Federal University. Humanities &Amp; Social Sciences

Self Cite

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“…In addition to the semiotic analysis of literary (Kolesnik, 2016), © Siberian Federal University. All rights reserved musical (Lozinskaya, 2018;Metlyaeva, 2017), architectural (Kistova, & Tamarovskaya, 2015) and artistic works (Kolesnik et al;Leshchinskaya, & Petrova, 2019), the theory of art turns to culturology as a science that combines deep conceptual studies and a specific analysis of cultural phenomenon in its historical dynamics. National theory and history of culture combines various scientific disciplines, including religious studies, ethnic studies, anthropological studies, gender studies and a number of others (Kistova et al, 2016;Reznikova, et al, 2016).…”

Section: Introductionmentioning

confidence: 99%

Three Paintings by Egon Schiele: Ideas About the Essence of Art

Reznikova

Sitnikova

Zamaraeva

2019

Journal of Siberian Federal University. Humanities &Amp; Social Sciences

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Egon Schiele (1890–1918) is one of the most significant representatives of Austrian expressionism, whose works influenced not only numerous painters and graphic artists, but dancers and theatrical stage employees as well. However, few academic publications are devoted to E. Schiele’s creative work, and among the existing ones, there is a significant proportion of those where his paintings are considered as the evidence of deviations in the painter’s mental health. The main method used in the present work is the philosophical and art studies analysis, appealing to the universal meanings of works of art. Three paintings: Self-Portrait with Black Vase (1911), The Holy Family (1913) and Death and the Maiden (1915), which can be combined into one series demonstrating the genesis of Egon Schiele’s ideas about art in general and about his creative work in particular, are the material for this study

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Building the Regional Identity of Sustainable Architecture

Zhang

Liu

2023

Lecture Notes in Computer Science

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Architectural Space as a Factor of Regional Cultural Identity

Cited by 5 publications

References 17 publications

The Image of the Yenisei in the Paintings of Krasnoyarsk Artists

The Image of the Yenisei in the Paintings of Krasnoyarsk Artists

Three Paintings by Egon Schiele: Ideas About the Essence of Art

Building the Regional Identity of Sustainable Architecture

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