2009
DOI: 10.1080/15551390902803838
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Appropriating Visual Form: The iPod “Silhouette” Campaign as Representative Form

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Cited by 6 publications
(4 citation statements)
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“…Apple collects photos and videos taken by users with iPhones from all over the world and showcases these works in their global advertisements. The selected works are displayed on Apple's online platforms, in physical stores, on billboards, and in TV commercials, providing high exposure for the creators [8].…”
Section: Apple's Classical Ad "1984 Apple Releases the Macintosh Comp...mentioning
confidence: 99%
See 1 more Smart Citation
“…Apple collects photos and videos taken by users with iPhones from all over the world and showcases these works in their global advertisements. The selected works are displayed on Apple's online platforms, in physical stores, on billboards, and in TV commercials, providing high exposure for the creators [8].…”
Section: Apple's Classical Ad "1984 Apple Releases the Macintosh Comp...mentioning
confidence: 99%
“…The use of popular music of the time as a backdrop in the advertisement was intended to emphasize the iPod's function as a music player, and also inadvertently enhanced the appeal of the advertisement. The music in the advertisement, as well as the silhouetted characters dancing to the music, creates a positive and energetic atmosphere, so that people can feel happy and excited while watching the advertisement, thus creating an emotional connection with the brand [8,11].…”
Section: The Music Element Played a Key Role In The Advertisementmentioning
confidence: 99%
“…Writing about the Walkman, Bull argues that 'Public spaces are voided of meaning and are represented as ''dead spaces'' to be traversed as easily and as pleasurably as possible ' (2000: 79). The idea that headphones and personal music could basically negate the importance of physical space can also be seen in the award winning 'Silhouette' series of iPod advertisements that feature people dancing with headphones on a featureless, black background (Cooper, 2009). These advertisements, in a sense, draw from the centuries old idea that people can exist alone in a world of sounds and disconnect from their surroundings (Sterne, 2003).…”
Section: Privatized Soundscapesmentioning
confidence: 99%
“…Auditory mobile media has been widely studied in multiple disciplines that have examined the Walkman and iPod from critical perspectives (Bull, 2000(Bull, , 2004(Bull, , 2007Cooper, 2009;Gunn and Hall, 2008;Jenkins, 2008), phenomenological perspectives (Hosokawa, 1984), and cultural perspectives (du Gay et al, 1997;Kahney, 2005). However, there is less literature on newer forms of location-based auditory mobile media that focus more on collective experiences of sound.…”
mentioning
confidence: 99%