When heckled, professional comedians frequently lament that "everyone's a comedian!" It's easy to see why: professional comedians don't possess different kinds of brains from others or engage in radically different kinds of behaviors from others, and moreover, the success of their acts is predicated on others' shared ability to understand and reason about comic situations they describe. The difference between comedians and their audience is a matter not of kind, but of degree, a difference that is reflected in the vocational emphasis they place on humor.Researchers in the field of computational creativity find themselves in a similar situation. As a subdiscipline of artificial intelligence, computational creativity explores theories and practices that give rise to a phenomenon, creativity, that all intelligent systems, human or machine, can legitimately lay claim to. Who is to say that a given AI system is not creative, insofar as it solves nontrivial problems or generates useful outputs that are not hard wired into its programming? As with comedians' being funny, the difference between studying computational creativity and studying artificial intelligence is one of emphasis rather than one of kind: the field of computational creativity, as typified by a long-running series of workshops at AI-related conferences, places a vocational emphasis on creativity and attempts to draw together the commonalities of what