Abstract:With their insalubrious social connotations, low-brow content and Ottoman musical features, rebetika songs appear unlikely candidates for connection with the revered culture of ancient Greece. Yet this seemingly sacrilegious nexus has repeatedly been contrived by exponents of the genre and by commentators, unlettered and educated alike. It has also exercised the ingenuity of literati, translators, stage directors and graphic artists. The examples surveyed in this article, whether earnest or whimsical, plausibl… Show more
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