Animation Design Based on 3D Visual Communication Technology

Shan, Feng; Wang, Youya

doi:10.1155/2022/6461538

Cited by 20 publications

(16 citation statements)

References 31 publications

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“…Shan and Wang proposed a film and television animation design method based on 3D visual communication technology. Film and television animation videos were collected through 3D visual communication content production, server processing and client processing, and animation video images were conveyed through splicing, projection mapping and texture synthesis of animation video image frame [21]. Compared with the research here, its design of animation images only stays on 3D images, and its effect on animation immersive experience is not as good as this study.…”

Section: Dizziness Degrees In the Central Rotation Motion Scenementioning

confidence: 78%

RETRACTED ARTICLE: Immersive animation scene design in animation language under virtual reality

Chen¹

2022

SN Appl. Sci.

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The study aims to explore a new form of immersive animation scene design and improve the application effect of virtual reality (VR) in immersive animation scene design. First, the research status of VR and the related concepts of animation scene design are analyzed, and the basic characteristics of visual effects in immersive VR animation scenes are summarized. Second, three elements to create immersion in a VR animation scene are color, light and shadow, and digital information technology. Finally, the application of VR technology to an animation scene design is analyzed, the problem of vertigo caused by VR animation scenes is deeply discussed, the vertigo test process in an immersive VR scene is proposed, and an experiment is designed to verify it. The results show that in the design of an immersive VR scene, the relative moving speed of the forward straight line should be maintained less than 6.5 times of the audience’s perceived speed, and the optimal relative moving speed of the scene should be maintained below 5 times of the audience’s perceived speed when they moving backward. In the design of a rotating animation scene, the long-term high-speed rotation should be avoided. If there must be a rotating scene, the rotation speed should be as low as 50°/s. The research provides some guidance for the application of VR to immersive animation scene design. This study discusses immersive animation scene design from dizziness prospective. It is novel. This study introduces relative motion perception illusion and use displacement velocity and relative displacement to analyze VR vertigo. Len motion is divided into forward and reverse linear, horizontal and vertical rotation and camera center rotation to study vertigo source. The dizziness evaluation model is designed and combined with the virtual indoor scene developed to achieve a visual immersion experience.

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Section: Dizziness Degrees In the Central Rotation Motion Scenementioning

confidence: 78%

RETRACTED ARTICLE: Immersive animation scene design in animation language under virtual reality

Chen¹

2022

SN Appl. Sci.

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“…This innovative research not only enriches the means of expression and creativity of art works, but also enhances the infectious force and influence of the works [12][13]. By exploring and analyzing the innovative research of new media interactive art and visual communication design, we can better understand and grasp, the importance and potential in the field of contemporary art and design [14][15].…”

Section: Introductionmentioning

confidence: 94%

Exploration of Visual Communication Design Methods Combining Virtual Reality Technology

2024

Applied Mathematics and Nonlinear Sciences

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As digital media technologies evolve, immersive experiences have increasingly become a focal point in the field of visual communication design. This paper explores the practical implications of integrating visual communication design with cutting-edge virtual reality (VR) technology and proposes a novel method rooted in VR. Our first innovative approach involves a virtual space reconstruction technique that leverages the central eye concept to mitigate discrepancies in user experiences due to varying perceptions of content. Subsequently, we employ the Gabor wavelet transform method to extract key visual features pertinent to human-computer interaction. This allows us to develop a perceptual model of visual targets in human-computer interactions, thereby enhancing the accuracy and efficacy of visual communication by grounding it in sensory cognition and user experience. In practical application, the visual communication design method proposed in this paper has a high signal-to-noise ratio (avg=43.407) and a short computing time (avg=2.24), and its overall recognition rate in multi-sensory virtual experience is as high as 95.6%. The study validates the viability of the virtual reality-based visual communication design method proposed in this paper and encourages the innovative development of visual communication design.

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“…In order to improve the level of animation design, meet the audience's demand for animation design, and enhance the influence of Chinese animation in the international arena, it is necessary to actively explore the way of application of digital media art in animation design, so as to better grasp the main points of the application of digital media art in animation design, and optimize the work of animation design [9]. Shan, F. and Wang, Y. adopt the theory of three-dimensional visual communication and develops a film and animation design system, which can effectively improve the transmission efficiency of animation videos and pictures and the design speed of images and videos [10]. Liu, G. tries to integrate virtual reality technology and Huizhou culture into animation design, which promotes the animated transmission of Huizhou culture and the establishment of the image of Huizhou culture [11].…”

Section: Introductionmentioning

confidence: 99%

Analysis of the application of 3D technology in digital media art animation design

Chen

2024

Applied Mathematics and Nonlinear Sciences

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The animation market is experiencing significant growth and diversification, with an expanding audience base and increasingly sophisticated aesthetic demands. This paper presents the development of a digital media art animation design system, leveraging four pivotal 3D technologies: mesh space deformation, 3D coordinate transformation, keyframe interpolation, and model collision detection. The system is enhanced with modules for scene editing, particle systems, and animation editing, which decompose the intricate special effects design of digital media art animations into manageable, editable components that offer real-time feedback. Furthermore, the system’s rendering capabilities and the animation design’s visual appeal were subjected to empirical evaluation. The findings indicate that within a 3D technology framework, the animation designs achieved average scores of 7.4371, 6.4720, and 7.0155 for recognizability, fidelity to the intended design, and overall impression, respectively, fulfilling the anticipated outcomes. Additionally, the animations produced are highly scalable and can be rendered swiftly and efficiently across diverse platforms. This study provides valuable insights for enhancing the effective deployment of 3D technologies in digital media art and animation design.

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Animation Design Based on 3D Visual Communication Technology

Cited by 20 publications

References 31 publications

RETRACTED ARTICLE: Immersive animation scene design in animation language under virtual reality

RETRACTED ARTICLE: Immersive animation scene design in animation language under virtual reality

Exploration of Visual Communication Design Methods Combining Virtual Reality Technology

Analysis of the application of 3D technology in digital media art animation design

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