Representations

2016

DOI: 10.1525/rep.2016.133.1.20

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Animal, Vegetal, and Mineral

Finbarr Barry Flood¹

Abstract: Although supposed to be inorganic, stones frequently trouble the divide between that which lives, breathes and reproduces and that which is supposed to be too insensate to exhibit such liveliness.

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“God’s Wonder”: Marble as Medium and the Natural Image in Mosques and Modernism

¹

2016

West 86th: A Journal of Decorative Arts, Design History, and Ma

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“God’s Wonder”: Marble as Medium and the Natural Image in Mosques and Modernism

¹

2016

West 86th: A Journal of Decorative Arts, Design History, and Ma

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No abstract

Aporia in Umayyad Art or the Degree Zero of the Visual Forms’ Meaning in Early Islam

¹

2021

J. Mater. Cult. Muslim World

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This article re-examines the established findings about Umayyad art as a transitional production essentially anchored in the Western and Eastern Late Antique traditions that have inspired it. It argues instead that the Umayyads brought about an aesthetic revolution laying out the foundations of what has become known as “Islamic ornament,” a predominantly aniconic art form. An epistemological shift from art history to critical inquiry allows us to show that, beyond the adaptive borrowing of pre-existing forms, the Umayyads redefined the art’s condition of meaning based on an unprecedented attitude to images and visual discourse informed by Islamic ontotheology and logocentric metaphysics.

The Iranian Metallurgy in the Silk Road; Archaeometallurgical and Microchemical Study on Some Copper-Based Objects from Shadyakh, Nishapur

Tayyari,

Emami

2023

Preprint

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No abstract

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