2005
DOI: 10.1017/s0025727300008875
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Anatomical Theatres and the Teaching of Anatomy in Early Modern Spain

Abstract: We are grateful to Miguel Tomás-Valiente, Paz Jordà-Rodríguez and Caroline Tonson-Rye for the English translation, and to Enrique Perdiguero and Maurizio Rippa Bonati for their comments and suggestions. Of course, any errors that remain are our own.

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Cited by 9 publications
(7 citation statements)
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“…The practice of having purpose‐built anatomy theatres started in Padua, spreading to other cities and soon north of the Alps to other academic centres such as Paris and Leiden. At a similar time to Vesalius, an anatomy theatre was constructed in the Spanish city of Saragossa, with public demonstrations taking place under royal warrant (Martínez‐Vidal & Pardo‐Tomás, 2005 ). The construction of spaces specifically for the demonstration of anatomy reflects both the recognition of observation as a prime component of the scientific method as well as the changing attitudes towards human dissection (Figure 6 ).…”
Section: Discussionmentioning
confidence: 99%
“…The practice of having purpose‐built anatomy theatres started in Padua, spreading to other cities and soon north of the Alps to other academic centres such as Paris and Leiden. At a similar time to Vesalius, an anatomy theatre was constructed in the Spanish city of Saragossa, with public demonstrations taking place under royal warrant (Martínez‐Vidal & Pardo‐Tomás, 2005 ). The construction of spaces specifically for the demonstration of anatomy reflects both the recognition of observation as a prime component of the scientific method as well as the changing attitudes towards human dissection (Figure 6 ).…”
Section: Discussionmentioning
confidence: 99%
“…Katherine Park (2006: 261) explains that, for literate men and women in western Europe during the 16th century, there was a shift from experiences and descriptions of internal bodily processes as 'thermal and fluid dynamics', involving the 'flow and interplay of vapours and liquids', to ones in which the organs, integrated into the body as a whole, became predominant. While a fascination with human skeletons and fleshy decay was evident in manuscripts, paintings and sculpture of the 14th century (see Camille, 1994), bones crystallized as distinct organs in relation to others within the body through early modern anatomical exploration -explorations which were observed in theatres of anatomy and disseminated through printed texts and images (Carlino, 1999a(Carlino, , 1999bHuisman, 2009;Klestinec, 2004Klestinec, , 2007Martínez-Vidal and Pardo-Tomás, 2005;Sawday 1995).…”
Section: Separations/connectionsmentioning
confidence: 99%
“…Anatomy theatres were later established in London, Paris, Madrid, Barcelona, Saragossa, Leiden, Amsterdam, Delft, Utrecht, Den Haag, Dordrecht, Rotterdam, Middleburg, Enkhuizen, Basel, Uppsala (Sweden) etc. (Yunusoglu, 2008;Yılmaz &Yılmaz, 2015;Martínez-Vidal & Pardo-Tomás, 2005).…”
Section: Introductionmentioning
confidence: 99%
“…Anatomical displays. Before the establishment of the permanent anatomical theatres, anatomical studies were carried out in churches and chapels, especially when necessary, such as for diseases (Martínez-Vidal & Pardo-Tomás, 2005). But public dissections of human criminal bodies took place in public at winter times once a year at temporary anatomical theatres (Yılmaz &Yılmaz, 2015).…”
Section: Introductionmentioning
confidence: 99%
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