“…The KBMW seem to share many of these traits: their mineral‐tempered hard fabrics and highly decorated surfaces strikingly contrast with the generally low‐fired, chaff‐tempered, surface‐polished and undecorated local contemporary wares (Hacar & Bulu, 2021; Mellaart, 1963; Tuna et al, 2022). Several technical features (including the use of moulds, very regular wall thickness, repetitive manufacturing and decorative techniques, the presence of potter marks) set this group further apart from the panorama of other contemporary productions and suggest a high degree of standardization (Hacar & Yener, 2020). This hypothesis is corroborated by the KBMW’s restricted typological range and extremely homogeneous fabric composition found throughout its entire distribution area, which points to a limited number of manufacturing centres (Tuna et al, 2022) (cf.…”