2018
DOI: 10.1007/978-981-13-2622-6_37
|View full text |Cite
|
Sign up to set email alerts
|

Analyzing National Film Based on Social Media Tweets Input Using Topic Modelling and Data Mining Approach

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...

Citation Types

0
1
0

Year Published

2020
2020
2023
2023

Publication Types

Select...
2
1
1

Relationship

0
4

Authors

Journals

citations
Cited by 4 publications
(1 citation statement)
references
References 9 publications
0
1
0
Order By: Relevance
“…Today, we observe various forms of cultural omnivorousness, such as the mix-matching of luxury brands with casual streetwear labels, dance music or hip-hop incorporating samples of classical or jazz music, award-winning high-end restaurants now featuring their own interpretations of dishes like wings and waffles, and the display of graffiti as well as classical paintings in art galleries (DiMaggio & Mukhtar, 2004; Peterson, 1997). In addition, social media sites such as Facebook, Instagram, and YouTube have changed the way that people consume art and culture (Chae, Park, Park, Yeo, & Shi, 2016; Chen, 2015; Ramos, Suarez, & Tighe, 2019). One prominent observation in recent research concerning these social networking sites is that levels of narcissism have increased among millennials (e.g., Bergman, Fearrington, Davenport, & Bergman, 2011; Twenge & Foster, 2008), who project positive images of themselves through their posts (Lee, Gregg, & Park, 2013; Sheldon & Bryant, 2016).…”
mentioning
confidence: 99%
“…Today, we observe various forms of cultural omnivorousness, such as the mix-matching of luxury brands with casual streetwear labels, dance music or hip-hop incorporating samples of classical or jazz music, award-winning high-end restaurants now featuring their own interpretations of dishes like wings and waffles, and the display of graffiti as well as classical paintings in art galleries (DiMaggio & Mukhtar, 2004; Peterson, 1997). In addition, social media sites such as Facebook, Instagram, and YouTube have changed the way that people consume art and culture (Chae, Park, Park, Yeo, & Shi, 2016; Chen, 2015; Ramos, Suarez, & Tighe, 2019). One prominent observation in recent research concerning these social networking sites is that levels of narcissism have increased among millennials (e.g., Bergman, Fearrington, Davenport, & Bergman, 2011; Twenge & Foster, 2008), who project positive images of themselves through their posts (Lee, Gregg, & Park, 2013; Sheldon & Bryant, 2016).…”
mentioning
confidence: 99%