2012
DOI: 10.1177/0003065112455361
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Analytic Listening and the Five Senses

Abstract: This introductory essay, the three papers that follow--by Jonathan Palmer, Forrest Hamer, and Peter Goldberg--and the commentary by Susan Yamaguchi are products of the panel "Analytic Listening and the Five Senses," presented at the American Psychoanalytic Association meeting in San Francisco, June 11, 2011.

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Cited by 6 publications
(4 citation statements)
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“…Moreover, individuals differ in the sensory modes through which they experience and process words, carrying forward specific aspects of the original experiences that inhere in words; correspondingly, the type of sensory experience evoked by words may reflect one's characteristic way of taking in the world, perhaps starting with the early relational world. Just as poets experience specific perceptual relationships to the poem, as words on a printed page to be seen, as the sound of spoken words to be heard; many analysts have a primary sensory modality through which they experience the words they hear: visual, tactile, auditory, kinesthetic (Chodorow 2012). I mentioned that river to me is the Hudson River.…”
Section: W O R D M E a N I N G S A R E E M B O D I E Dmentioning
confidence: 99%
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“…Moreover, individuals differ in the sensory modes through which they experience and process words, carrying forward specific aspects of the original experiences that inhere in words; correspondingly, the type of sensory experience evoked by words may reflect one's characteristic way of taking in the world, perhaps starting with the early relational world. Just as poets experience specific perceptual relationships to the poem, as words on a printed page to be seen, as the sound of spoken words to be heard; many analysts have a primary sensory modality through which they experience the words they hear: visual, tactile, auditory, kinesthetic (Chodorow 2012). I mentioned that river to me is the Hudson River.…”
Section: W O R D M E a N I N G S A R E E M B O D I E Dmentioning
confidence: 99%
“…Analysts and patients alike vary in the extent to which they resonate with and make use of the elements within speech, and within the psychoanalytic situation generally (Chodorow 2012). One's characteristic resonances reveal the hopes with which speech is imbued.…”
Section: S P E a K I N G O F R E L At I O N S H I P Smentioning
confidence: 99%
“…As a sociologist, her direction might have moved toward macrolevel phenomena, but Chodorow sensed that to understand the individual fully it was necessary to explore the intrapsychic realm.The title of her current volume is itself an illustration of its integrative aims. The reference to sensory modalities alludes to Chodorow's contribution to a panel on "Analytic Listening and the Five Senses" at an American Psychoanalytic Association (APsaA) meeting in June 2011 (Chodorow, 2012). Chodorow remarks on the senses brought to clinical work and notes in particular her "good ear" for "rhythm, voice, and timbre" (p. 752).…”
mentioning
confidence: 99%
“…In an interview conducted while preparing the present volume, Chodorow (2018) addressed the question whether her new coinage, an amalgam of one- and two-person psychologies, is an oxymoron. Chodorow (2012) defines intersubjectivity as “a way of talking about how two subjects . .…”
mentioning
confidence: 99%