Analisis Gaya Slangit Tari Topeng Tumenggung di Desa Slangit Cirebon

Hidayani, Nur Indah; Lanjari, Restu

doi:10.15294/jst.v8i1.30749

Cited by 3 publications

(3 citation statements)

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“…The performance of the mask dance framed in the Mahabharata wayang story is referred to as wayang wong, whereas the Panji story is referred to as the Dalang mask.The Cirebon Mask Dance consists of five types of dance that are commonly referred to as "Panca Wanda" or the five types of Klana, Tumenggung, Rumyang, Samba, and Panji. (Hidayani & Lanjari, 2019).…”

Section: Resultsmentioning

confidence: 99%

Perfomance of the Gegesik Style Cirebon Mask Kalana Dance in the Context of Coastal Culture as a Source of Local Wisdom

Pramadanti,

Malarsih,

Hartono

2023

Gondang

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Gegesik-style Klana mask dance is one of the styles that have survived to the present day. The importance of maintaining and preserving the Gegesik-style Klana mask dance, which is comprised of dance elements presented in the form of a dance perfomance, is understood by a few people who have studied its dance elements. By comprehending the elements contained therein, the Gegesik style of the masked Klana dance will maintain its authenticity without altering a single aspect of the Gegesik style masked Klana dance's standard. Gegesik-style Klana mask dance has excellent appeal for ceremonial events, welcoming guests, and filling in events organized by government and non-government organizations. This study used qualitative research and an ethnochoreological methodology as a scalpel to investigate the textual components of dance. The Gegesik style Klana mask dance has eight text components: movement, dancers, make-up, clothing, floor patterns, music, property, and place of performance. Collecting data was done with observation, interviews, and document analysis. After conducting research, the researcher discovered that the form of perfomance of the Gegesik-style masked Klana dance consists of eight interrelated components that cannot be changed without altering its authenticity. Consequently, the Gegesik-style Cirebon masked Klana dance contains elements that cannot be easily altered, as well as meanings and values implicit in every movement, music, costume, and another component. Keywords: Gegesik Style Klana Mask Dance, Dance Perfomance, Ethnochoreology.

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Section: Resultsmentioning

confidence: 99%

Perfomance of the Gegesik Style Cirebon Mask Kalana Dance in the Context of Coastal Culture as a Source of Local Wisdom

Pramadanti,

Malarsih,

Hartono

2023

Gondang

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“…Some previous studies that examined the mask dance have been extensive, but the author uses several references to find the novelty of this study. Research conducted by Rosiana & Arsih (2021) on the symbolic meaning of The Mask Dance Tumenggung style Slangit Cirebon shows that this study has the same object relevance about the mask dance, but with a different study of the symbolic meaning contained in the mask dance Tumenggung style slangit.…”

Section: Introductionmentioning

confidence: 86%

Analysis of Topeng Jaya Perbangsa's Performance in Cirebon Regency

Lanjari,

Andriana

2023

jst

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Jaya Perbangsa mask dance performance is a creation taken from the Mahabhrata story, with a blend of two dances between jaipong and mask dance with contemporary touch, with new types of accompaniment in West Java. The researcher's aim is to analyze the performance form of Jaya Perbangsa mask dance. This research uses a qualitative method, with an ethnochoreology approach. Data collection techniques using observation, interviews and documentation. Analysis of the performance form of Jaya Perbangsa mask dance consists of, performance structure and performance elements of Jaya Perbangsa mask dance. The dancers do not have a mandatory number, and are performed by female dancers who are required to bring a dashing Gatotkaca character, strong power, and a wide volume of motion. The makeup used by dancers uses corrective makeup with the characteristic three-braid hair.

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“…Adapun salah satu seni, yaitu tari yang dipandang sebagai simbol tersembunyi untuk mengungkapkan atau menyampaikan (Rosiana & Arsih, 2021). Pertunjukan tari tradisional Jawa menggambarkan karakter wayang atau tokoh, sifat dan karakter masyarakat di daerah tersebut.…”

Section: Pendahuluanunclassified

Upaya Pemerintah Desa dalam Melestarikan Nilai Kearifan Lokal Tari Topeng Melalui Perspektif Pendidikan Kewarganegaraan

Kasih,

Wibowo,

Widodo

2024

jk. jurnal. kewarganegaraan

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Jabung Mask Dance is a type of Jabung regional symbol dance that is very famous during the harvest month or month, according to the Javanese calendar, and is often performed in various local community events. The purpose of this study is to determine the efforts of the village government's efforts to preserve the local wisdom value of mask dance through a citizenship education perspective, as well as supporting and inhibiting factors in preserving the value of local wisdom of Jabung Mask Dance. The research method uses a qualitative approach, with observation data collection techniques, interviews with Mask dancer elders and Jabung Village heads, and document studies. The data analysis technique used is interactive analysis, namely data collection, data reduction, data presentation, and conclusions. Data validity using Data triangulation. The results showed that the Village Government strives to perform this Mask Dance at various events and provides support for training. So, it can be concluded that village government's efforts to preserve the local wisdom value of mask dance through a citizenship education perspective are considered quite helpful and very effective as a basis to continue to support the preservation of the value of local wisdom of the Jabung Mask Dance art.------------AbstrakTari Topeng Jabung adalah jenis tarian simbol daerah Jabung yang sangat terkenal selama bulan panen atau bulan baik menurut penanggalan Jawa dan sering ditampilkan dalam berbagai acara masyarakat setempat. Tujuan penelitian ini adalah untuk mengetahui upaya pemerintah desa dalam melestarikan nilai kearifan lokal tari topeng melalui perspektif pendidikan kewarganegaraan, serta faktor pendukung dan penghambat dalam melestarikan nilai kearifan lokal kesenian Tari Topeng Jabung. Metode penelitian menggunakan pendekatan kualitatif, dengan teknik pengumpulan data observasi, wawancara dengan sesepuh penari Topeng dan kepala Desa Jabung, serta studi dokumen. Teknik analisis data yang digunakan adalah analisis interaktif yaitu pengumpulan data, reduksi data, penyajian data, dan penarikan kesimpulan. Keabsahan data menggunakan Triangulasi data. Hasil penelitian menunjukkan bahwa Pemerintah Desa berupaya untuk selalu menampilkan Tari Topeng ini di berbagai acara dan Pemerintah Desa memberikan dukungan untuk pelatihan. Jadi dapat disimpulkan bahwa upaya pemerintah desa dalam melestarikan nilai kearifan lokal tari topeng melalui perspektif pendidikan kewarganegaraan ini dianggap cukup membantu dan sangat efektif dilakukan sebagai dasar untuk tetap menunjang pelestarian nilai kearifan lokal kesenian Tari Topeng Jabung.

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Analisis Gaya Slangit Tari Topeng Tumenggung di Desa Slangit Cirebon

Cited by 3 publications

References 0 publications

Perfomance of the Gegesik Style Cirebon Mask Kalana Dance in the Context of Coastal Culture as a Source of Local Wisdom

Perfomance of the Gegesik Style Cirebon Mask Kalana Dance in the Context of Coastal Culture as a Source of Local Wisdom

Analysis of Topeng Jaya Perbangsa's Performance in Cirebon Regency

Upaya Pemerintah Desa dalam Melestarikan Nilai Kearifan Lokal Tari Topeng Melalui Perspektif Pendidikan Kewarganegaraan

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