Collecting information via time-lapse photography is nothing new. Scientists and artists have been using this kind of data since the late 1800s. However, my research and experiments with time-lapse have shown that great potential may lie in its application to educational and social scientific research methods. This article is part history, part research method, and part methodology. As I uncover the science and art of time-lapse and sort through theory and practice from a number of fields, I share these findings, collect my own time-lapse data, and pose new queries into the use of time-lapse data collection for qualitative and social research.
IntroductionIn beginning my doctoral studies, I set out to become a better teacher of future educators. I wanted to examine my teaching in action. I naturally thought to video record my class sessions for playback and reflection. After hours spent on processing video to review just 10 minutes of my teaching, I realized that it was not a timefeasible method of data collection for my purposes. I also realized that video would not necessarily answer the questions I had about my teaching. I was interested in exploring my teaching behaviors as they were revealed over time. I also realized that I became quickly distracted during the task of watching observational video. I had to watch the video many times in order to answer the questions I had about my teaching, and even then I had difficulty sorting details from overarching themes and patterns. As I planned to study my teaching over time, I began to think about other techniques I could use to speed up the process of observation and analysis, and I rediscovered a lesser known photographic data collection technique that has not yet seen its full potential as a research tool -time-lapse photography.Time-lapse photography consists of sequential photographs taken at a set interval (i.e. one photo every second, one photo every 24 hours).