An Iranian Youth in an Album from Zwolle

Abstract

In the family scrapbook compiled by Gesina ter Borch (1633-1690), there is a remarkable drawing of an Iranian youth. Art-historical and scientific research has revealed that although the drawing has areas of later overpainting, there is an original Safavid miniature from the sixteen-fifties or sixties underneath them. It is likely that Gesina herself was responsible for these overpaints, when she mounted the badly damaged miniature in her album at some time between 1660 and 1680. Interestingly, aside from the blackened background and the colourful feather and sashes she added, she attempted to follow the original Iranian style in her restorations. The original was made in the sixteen-fifties or sixties by a painter of the Isfahan School, who probably took his inspiration from an older composition by the famous court artist, Riza Abbasi. The article goes on to show that Riza Abbasi’s work was known in the Dutch Republic before then. In 1623 the junior merchant Niclaes Hem travelled to Iran. He was a member of a Dutch East India Company delegation seeking to negotiate a trade agreement with the Shah. Hem acquired a series of drawings by or after Riza Abbasi while he was in Isfahan. He was probably helped in this acquisition by his fellow countryman, Jan van Hasselt. A number of the original miniatures that Hem took back to the Republic were published as woodcuts in Johannes de Laet’s Persia (1634).

Dutch or Iranian? Technical study of a seventeenth-century painting on paper from Gesina Ter Bosch’s scrapbook

“…Yet it was recently shown that a series of Iranian miniatures did reach the Netherlands as early as the beginning of the seventeenth century [2]. They are most likely paintings by the famous court painter Riza Abbasi or an artist from his immediate circle.…”

“…Author details 1 Utrecht, The Netherlands. 2 Conservation & Science Department, Rijksmuseum, Postbus 74888, 1070 DN Amsterdam, The Netherlands. 3 History Department Rijksmuseum, Postbus 74888, 1070 DN Amsterdam, The Netherlands.…”

“…Part of this estate is the so-called family scrapbook (acquisition number BI-1887-1463), owned and compiled by Gesina ter Borch (1631-1690), daughter of the well-known Dutch painter Gerard ter Borch and a woman of many talents in her own right [1]. Although as a woman she could not expect to pursue a career as a professional artist, she practiced the arts throughout her life: calligraphy at first, then primarily drawing and painting [2]. 1 Gesina started the scrapbook in the 1660s.…”

“…In the end, a diverse mix of other items appeared in the album: examples of calligraphy, children's drawings by nephews and nieces, works by other artists and copies after other masters. 2 Page 40 of the album (acquisition number BI-1887-1463-40), the subject of the present study, is the only sheet with a non-European subject and features a unique painting: a portrait of an Iranian Youth (Fig. 1).…”