2010
DOI: 10.1002/jrs.2845
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An integrated spectroscopic approach to investigate pigments and engobes on pre‐Roman pottery

Abstract: Painted Canosa ceramicswere examined to identify the nature of the pigments employed and theirmanufacturing technology.\ud A multi-technique approach was used, comprising Raman microspectroscopy and laser ablation hyphenated to inductively\ud coupled plasma-mass spectrometry (LA-ICP-MS). The analysed samples were mainly produced for burial in tombs and were not\ud intended for everyday use. They belong to the period between the end of themid-7th century andthe first half of the 4th century\ud BC, and were exca… Show more

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Cited by 29 publications
(18 citation statements)
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References 35 publications
(55 reference statements)
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“…1590 and 1330 cm À1 , respectively, which indicates the presence of carbon. These wavenumbers depart slightly from previously reported values for Roman carbon pigments [17,20,25,26]; the differences, however, can be ascribed to differences in the conditions where the carbon material was obtained (particularly pressure and temperature, which have a decisive influence on crystallinity). Alternatively, the wavenumber differences may have arisen from experimental differences in recording the spectra; thus, the laser focal point can reach completely different temperatures during measurements, but the exact influence of variations has not yet been established.…”
Section: Black Colourcontrasting
confidence: 77%
See 1 more Smart Citation
“…1590 and 1330 cm À1 , respectively, which indicates the presence of carbon. These wavenumbers depart slightly from previously reported values for Roman carbon pigments [17,20,25,26]; the differences, however, can be ascribed to differences in the conditions where the carbon material was obtained (particularly pressure and temperature, which have a decisive influence on crystallinity). Alternatively, the wavenumber differences may have arisen from experimental differences in recording the spectra; thus, the laser focal point can reach completely different temperatures during measurements, but the exact influence of variations has not yet been established.…”
Section: Black Colourcontrasting
confidence: 77%
“…Roman pigments have been found on highly diverse supports including wall paintings, plaster casts, mosaics and mortars, and characterised with various analytical techniques [8][9][10][11][12][13][14] including Raman spectroscopy [15][16][17][18][19][20]. Determining the particular decorative pigments used by a population can be useful to identify the specific materials available at a local, regional or even more extensive level; also, it can help better understand the basic colour preparation and application techniques used in its day.…”
Section: Introductionmentioning
confidence: 99%
“…Colorimetric analyses showed the presence of two different yellow coloring mixtures and Raman spectroscopy permitted to identify two different pigments, goethite (α-FeOOH) and massicot; the first is a natural pigment which yields characteristic peaks at 299, 385 and 550 cm À1 , main chromophore of yellow natural pigments, [20] the second is a lead oxide which yields characteristic peaks at 145 and 280 cm À1 . [19,25] The absence of the slightly red-shift of Raman peaks to 138 and 274 cm À1 , reported in the case of massicot derived from laser thermal degradation, [26] confirms that this unusual lead yellow was employed voluntarily by the artists.…”
Section: Painting Materials and Artistic Techniquesmentioning
confidence: 78%
“…Finally, some types may be converted into others as a result of geologically, anthropogenically or climatically induced reactions. [19][20][21][22] In the ceramics under analysis, spinel jacobsite (MnFe 2 O 4 ) (612 and 649 cm À1 ) has been identified along with hematite (224, 290, 408 and 497 cm À1 ) (Fig. 6a), as well as other mineral phases like bixbyite (α-Mn 2 O 3 ) and hausmannite (Mn 3 O 4 ) (202, 330, 483, 618 and 695 cm À1 ) (Fig.…”
Section: Ceramicsmentioning
confidence: 99%