Abstract:Towards the end of his film essay Histoire(s) du cinéma Jean-Luc Godard calls himself an "enemy of our times", of "the totalitarianism of the present as applied mechanically every day more oppressive on a planetary scale." The article regards Histoire(s) du cinéma (1988-1998) as "a thinking form" that tries to resist the synchronizing, standardizing time of global capital, the pervasive uniformity of the global super-present, brought about by today's televisual and digital communications, which threatens to tr… Show more
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