Abstract:The visual bias in the West has decisively shaped literary and cultural criticism in the past decades. Perpetuated by the linguistic turn, this bias has seen the written word placed firmly at the heart of (post-)humanist critique. Surveying current trends in contemporary theory, it soon becomes evident that, coinciding with the decline of the linguistic turn, Animal and Sound Studies have been on a steady rise. Increasingly shaping the global literary imagination, canine poetics, in particular, are enmeshed in… Show more
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