An Analysis of Commissive Speech Acts Used by the Main Characters in Women-Centric Movies

Abstract

This study explores the usage of commissive speech acts in the women-centric movies "Little Women" and "Enola Holmes." It employs Searle's classification of speech acts (1979), along with Hymes' social structure theory (2001) and Brown Levinson's politeness theory (1987). The analysis uncovers various types of commissive speech acts in movies set in the nineteenth century. Furthermore, it reveals that the employment of commissive speech acts and the politeness strategies employed by the characters are significantly influenced by the social structure of their respective societies. These findings contribute novel insights to the existing theories and extend the scope of sociopragmatics research, particularly in evaluating movies within academic settings. The study suggests conducting further research encompassing diverse cases, exploring other aspects of speech act studies, and engaging in comparative or cross-cultural analyses.

An Analysis Of Feminist Thoughts Of Life’s Struggle Presented In The Movie “Little Woman (2019)”

“…Greta Gerwig's film adaptation of Louisa May Alcott's Little Women brings the feminist themes of the novel to the forefront in a contemporary context. Gerwig's interpretation emphasizes the individuality, independence, and resilience of the March sisters (Gaspersz et al, 2023;Wang & Wang, 2024) as they navigate societal expectations and personal ambitions Asfiya & (Ashfiya & Degaf, 2023). Recent scholarly articles have explored the feminist perspective in Gerwig's adaptation.…”