2015
DOI: 10.1080/17511321.2015.1061045
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An Agon Aesthetics of Football

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Cited by 8 publications
(4 citation statements)
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“…Therefore, it also explores the non-verbal staging of football and its agonistic or competitive structure (agon is a Greek term for struggle) as an aesthetic event. The analogy between football and theatre is based on this 'powerful communicative poetics' (Pyta 2015, p. 262), also known as agon aesthetic (Borge 2015).…”
Section: The 'Agon' Of a Competitive Performancementioning
confidence: 99%
“…Therefore, it also explores the non-verbal staging of football and its agonistic or competitive structure (agon is a Greek term for struggle) as an aesthetic event. The analogy between football and theatre is based on this 'powerful communicative poetics' (Pyta 2015, p. 262), also known as agon aesthetic (Borge 2015).…”
Section: The 'Agon' Of a Competitive Performancementioning
confidence: 99%
“…�sta inversión es consecuencia del trabajo de autores como Paul �avis (2015), Andrew �dgar (2014), Yunus Tuncel (2013), Verner Moller (2003y Steffen Borge (2015), quienes han resaltado el aspecto más vital o violento del deporte en detrimento del más excelso o platónico: la excelencia.…”
Section: Platonismo Y Filosofía Del Deporte Una Propuesta Hermenéuticaunclassified
“…Siguiendo con esta propuesta, autores como Steffen Borge, Andrew �dgar y Paul �avis han criticado a las propuestas tradicionales en estética del deporte por estar demasiado centradas en el valor de la belleza. Así, por ejemplo, en el caso particular del fútbol, Borge (2015) afirma que este deporte es habitualmente denominado como "el deporte bonito" porque exhibe una gran variedad de cualidades estéticas deseables y positivas. Sin embargo, el fútbol también puede ser emocionante y estimulante, aburrido y tedioso, agresivo y pasivo.…”
Section: Una Concepción Agónica Del Deporteunclassified
“…If a game loses fairness and equality, then it cannot survive for a long time [16]. The various stakeholders of society define fairness, in which fair play gives games the characteristic of beauty [17]. The evolution of fairness was studied by Shirata [18] under an assortative matching rule in the ultimatum game.…”
Section: Introductionmentioning
confidence: 99%