An Aesthetics of Chinese Calligraphy

Shi, Xiongbo

doi:10.1111/phc3.12912

Cited by 4 publications

(2 citation statements)

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“…First, handwriting information pertains to the visual vigour and energy conveyed through brushstrokes, encompassing elements such as transition forms, shading, and pressure. Kang Youwei emphasized the significance of handwriting power, highlighting its role in measuring skill and mastery in calligraphy (Shi, 2023). Verve information emphasizes the mood and sentiments evoked by the characters, transcending mere form to imbue calligraphy with emotional depth and individual expression.…”

Section: Theoretical Frameworkmentioning

confidence: 99%

“…The second characteristic of Chinese ancient inscriptions by Chen is verve information. It explores the dynamic energy and expressive flair embedded within the strokes of calligraphic artistry, unveiling a captivating narrative of cultural identity and aesthetic mastery (Shi, 2017). Hanchen (2021) asserted that in Chinese calligraphy, the spirits and feelings of words resonate deeply, infusing each stroke with a profound emotional essence that transcends mere visual representation.…”

Section: Verve Informationmentioning

confidence: 99%

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Exploring the Characteristics of Chinese Ancient Inscriptions: A Chen's Theory Perspective

Sai,

Mokhtar,

Abdullah

et al. 2024

IJARPED

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The exploration of Chinese ancient inscriptions is crucial for understanding the historical, cultural, and artistic legacy of China. This research delves into the characteristics of these inscriptions through the lens of Chen's Theory of Chinese Calligraphy, which emphasizes five key aspects: handwriting information, verve information, strength information, implication information, and information regarding admiration for ancient times. Utilizing a combination of literature review and visual analysis, the study meticulously examines selected inscriptions to uncover their unique attributes. The methodology involves a systematic review of existing literature on Chinese calligraphy, complemented by a visual analysis of selected ancient inscriptions. This dual approach allows for a comprehensive understanding of the inscriptions' artistic and cultural significance. The major findings highlight the intricate craftsmanship, expressive power, and cultural depth embedded in Chinese calligraphy, as well as the influence of historical admiration on the development of calligraphic styles. The study's results not only enrich our appreciation for Chinese calligraphic tradition but also provide a foundation for future research. Potential areas for further investigation include exploring the intersections between calligraphy and other traditional Chinese arts such as painting and seal carving, as well as the application of modern technologies like digital tools and virtual reality for analyzing and preserving ancient inscriptions. Additionally, comparative studies between Chinese calligraphy and other global calligraphic traditions could promote cross-cultural exchange and deeper appreciation. Understanding these characteristics is vital for scholars and enthusiasts alike, as it deepens their connection to the artistry and cultural richness of Chinese calligraphy, thereby enhancing their overall comprehension of Chinese culture and history.

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Section: Theoretical Frameworkmentioning

confidence: 99%

Section: Verve Informationmentioning

confidence: 99%

Exploring the Characteristics of Chinese Ancient Inscriptions: A Chen's Theory Perspective

Sai,

Mokhtar,

Abdullah

et al. 2024

IJARPED

View full text Add to dashboard Cite

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Beyond reasonable doubt: reconsidering Neanderthal aesthetic capacity

Meneganzin,

Killin

2024

Phenom Cogn Sci

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An aesthetic sense—a taste for the creation and/or appreciation of that which strikes one as, e.g., attractive or awesome—is often assumed to be a distinctively H. sapiens phenomenon. However, recent paleoanthropological research is revealing its archaeologically visible, deeper roots. The sensorimotor/perceptual and cognitive capacities underpinning aesthetic activities are a major focus of evolutionary aesthetics. Here we take a diachronic, evolutionary perspective and assess ongoing scepticism regarding whether, and to what extent, aesthetic capacity extends to our evolutionary cousins, the Neanderthals. The goal of this article is twofold. First, it serves as a defence of the attribution of Neanderthal aesthetic capacity by marshalling archaeological data best explained by positing a Neanderthal aesthetic sense. Second, it offers an opportunity to make progress on understanding some epistemically relevant features of the wider debate in evolutionary aesthetics. First, we outline and analyse a range of distinct ‘sceptical arguments’ derived from attitudes and claims found in the literature and broader debate that aim to dial down the case for Neanderthal aesthetic capacity. We show that these arguments not only miss their target, they divert the debate away from more compelling questions. We then consider the case for protoaesthetic capacities and sensitivities in the Acheulean stone tool industry and argue that Neanderthals likely inherited the protoaesthetic package from ancient ancestors that they shared with H. sapiens. Finally, we sketch and defend a research agenda for framing Neanderthal aesthetic niche(s) beyond H. sapiens-derived standards, which we see as a priority for future archaeological, cognitive, and philosophical research. While we resist sceptical arguments and the often-implied inferiority of Neanderthals to humans, we also deny that Neanderthals and ancient humans were indistinguishable. Understanding the differences is an important goal of interpretation, and we apply this line of reasoning to the case of aesthetics.

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