2016
DOI: 10.1016/j.phytol.2016.05.005
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An actomyosin-like cytoskeleton in the cyanobiont (Nosctoc sp.) of Peltigera canina

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Cited by 3 publications
(2 citation statements)
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“…The lectin recognition and signalling mechanism summarised for chlorolichens in Figure 2 can be true of all or some cyanolichens (Sacristán et al, 2007;Vivas et al, 2010;Díaz et al, 2016a). Diaz et al (2015), Diaz et al (2016b) showed that actin-and myosin-like proteins produced by the cyanobacterial photobiont Nostoc of the lichen Peltigera canina is involved in the chemotactic movement of photobiont cells towards the lectin of the mycobiont. The process also involves a contractile protein and ATPase of photobiont, which creates a series of contraction-relaxation steps that result in photobiont # Ribitol in these pre-contact experiments (mycobiont and photobiont separated by a membrane) was added in concentrations of 0.05, 0.8, and 2.0%w/v to the culture media (water agar and malt yeast agar).…”
Section: Cyanolichens (Tablementioning
confidence: 99%
“…The lectin recognition and signalling mechanism summarised for chlorolichens in Figure 2 can be true of all or some cyanolichens (Sacristán et al, 2007;Vivas et al, 2010;Díaz et al, 2016a). Diaz et al (2015), Diaz et al (2016b) showed that actin-and myosin-like proteins produced by the cyanobacterial photobiont Nostoc of the lichen Peltigera canina is involved in the chemotactic movement of photobiont cells towards the lectin of the mycobiont. The process also involves a contractile protein and ATPase of photobiont, which creates a series of contraction-relaxation steps that result in photobiont # Ribitol in these pre-contact experiments (mycobiont and photobiont separated by a membrane) was added in concentrations of 0.05, 0.8, and 2.0%w/v to the culture media (water agar and malt yeast agar).…”
Section: Cyanolichens (Tablementioning
confidence: 99%
“…The first theme is how concepts of paradise are mobilized to animate processes of neocolonization, which are evident, for example, in the appropriation of Indigenous knowledge, in Pacific tourism, and in Western popular culture. Vicente Diaz labeled Moana as another instance of the long history of Western "Polyface" that serves to "whitewash colonialism and normalize its attendant violence and devastation of land, sea and tradition" (Diaz 2016). He strongly argued that whitewashing is done via the trope of paradise (and Polynesian paradise in particular), a fictive construct created from European "fantasies and desires."…”
mentioning
confidence: 99%