2015
DOI: 10.5751/es-08054-200429
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“A shepherd has to invent”: Poetic analysis of social-ecological change in the cultural landscape of the central Spanish Pyrenees

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Cited by 38 publications
(27 citation statements)
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References 54 publications
(57 reference statements)
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“…Furthermore, as almost all art forms entail an important non-verbal component, they allow for eliciting tacit and unspoken knowledge (McNiff 1998) and expressing connections with nature through mediums and processes that go beyond words (Leavy 2009;Barone and Eisner 2012). Naturally, this entails challenges in data collection, data analysis, and in particular data representation (Eisner 1997), not at last because publishing in academic journals requires transferring research into writing (Prior 2018). Although it is sometimes argued that art should speak for itself (McNiff 1998), triangulating arts-based methods with quantitative or qualitative methods particularly for data collection may thus be necessary to assure the good quality of analyses and interpretations (Leavy 2009).…”
Section: A Turn To the Artsmentioning
confidence: 99%
“…Furthermore, as almost all art forms entail an important non-verbal component, they allow for eliciting tacit and unspoken knowledge (McNiff 1998) and expressing connections with nature through mediums and processes that go beyond words (Leavy 2009;Barone and Eisner 2012). Naturally, this entails challenges in data collection, data analysis, and in particular data representation (Eisner 1997), not at last because publishing in academic journals requires transferring research into writing (Prior 2018). Although it is sometimes argued that art should speak for itself (McNiff 1998), triangulating arts-based methods with quantitative or qualitative methods particularly for data collection may thus be necessary to assure the good quality of analyses and interpretations (Leavy 2009).…”
Section: A Turn To the Artsmentioning
confidence: 99%
“…The latter concept is closely related to the theoretical concept of "remember" for reorganization , which has inspired studies on social-ecological memory as critical for resilience building as well as the role of biocultural refugia as pockets of social-ecological memory in times of change , Barthel and Isendahl 2013. The role of memory and sources of resilience are addressed in work on cultural landscapes and with links to senseof-place and deep identities as resilience features in adaptations and transformations (e.g., Turner et al 2003b, Crane 2010, Tidball et al 2010, Plieninger and Bieling 2012, Adger et al 2013, Tidball and Stedman 2013, Lyon 2014, Fernández-Giménez 2015. There is work on cultural resilience, often in relation to indigenous groups and cultures subject to change, emphasizing elements (e.g., resilience pivots, ancestral contracts) of a social-ecological system that endure despite adaptation or even transformation of other elements and in doing so support the persistence of the system's distinctive identity (e.g., Forbes 2013, Rotarangi and Stephenson 2014, von Heland and Folke 2014.…”
Section: Capturing Resiliencementioning
confidence: 99%
“…The goal of this study was to write poems that would highlight the experience and opinions of the participants as they experienced the workshop and reflected on past collaborative experiences. Guidance on poetic transcription is being included increasingly in qualitative research handbooks, though no single method has been identified (Faulkner, 2009;Harter, Peterson, McKenna, & Torrens, 2012;Madison, 2012;Richardson, 2001). Across sources, the common methodological recommendations include crafting poems that use exclusively words and phrases from participants, in order to represent the most powerful and relevant themes.…”
Section: Current Methodologymentioning
confidence: 99%