Ambivalensi dan Kuasa Perempuan Terjajah dalam &lt;em&gt;Karina Adinda: Lelakon Komedie Hindia Timoer dalem Tiga Bagian&lt;/em

Dewojati, Cahyaningrum

doi:10.24257/atavisme.v20i1.257.1-13

Cited by 4 publications

(5 citation statements)

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“…This research shows a gap in the discussion related to mimicry, ambivalence, and hybridity used as a strategy for the existence of a discourse of resistance to the Rust en Orde policy. On the other hand, we look at previous research that focuses on describing hybrid identities as a form of rebellion (Abdullah et al, 2022); placing colonized women who always cause and relate to cultural contact (Dewojati, 2017). This is different from the present study, which shows how Si Gadis Penjual Bunga's identity is discussed as an ambivalent phenomenon, showing a mixture of cultures in her appearance.…”

Section: Conclusion and Suggestionscontrasting

confidence: 60%

“…The research topic that focuses on post-colonial feminism, which is explained through the ambivalence, resistance, and power of colonized women, has shown the existence of colonial practices that are always related to cultural contact. This interaction is addressed through the hybridity, ambivalence, and resistance of female characters in the play text Karina Adinda by Liauw Giok Lan (Dewojati, 2017).…”

Section: Introductionmentioning

confidence: 99%

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The Discourse of Resistance in The Short Story Siapa Kirim Aku Bunga?

Febrianto¹,

Yoesoef²

2023

Pioneer. J. Lang. Lit

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This study uses a corpus of short stories entitled Siapa Kirim Aku Bunga? by Eka Kurniawan, which contains issues of postcolonialism through mimicry, ambivalence, and hybridity of the Si Gadis Penjual Bunga’s character, which then shows the existence of a discourse of resistance. This study aims to dismantle the strategy of resistance through mimicry, ambivalence, and hybridity in the short story Siapa Kirim Aku Bunga? by Eka Kurniawan. This research is qualitative, using the hermeneutic method. The research begins with understanding the text, then interpreting it to show and explain the existence of mimicry, ambivalence, and hybridity with descriptive methods. The approach used in this research is post-colonialism. The show that mimicry, ambivalence, and hybridity through European dress are a strategy in carrying out a discourse of resistance by the colonized to the colonialists. This resistance refers to the dark story of the Indonesian people regarding the disposal of indigenous people who were sent and exiled to Boven Digoel. Through the metaphor of flowers, this work depicts the deep sadness of that time. Keywords: ambivalence, hybridity of resistance discourse, mimicry, postcolonialism.

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Section: Conclusion and Suggestionscontrasting

confidence: 60%

Section: Introductionmentioning

confidence: 99%

The Discourse of Resistance in The Short Story Siapa Kirim Aku Bunga?

Febrianto¹,

Yoesoef²

2023

Pioneer. J. Lang. Lit

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“…The cross between colonized and colonizer cultures produces what is called hybridity (Aini, 2016). Hybridity is the formation of a new cross-cultural identity within the contact zone created by colonialism (Dewojati, 2017).…”

Section: Resistance Of Roehana Koeddoes In the Form Of Hybriditymentioning

confidence: 99%

Roehana Koeddoes’s Resistance to Dutch Colonialism in Belenggu Emas By Iksana Banu

Rahmayati

2021

Hum.

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Despite being positioned as inferior by the colonial and patriarchal systems of the time, Indonesian women were involved in the resistance against Dutch colonization. Now recognized as national heroes, these women took part in the struggle by directly participating in fighting, or indirectly through social initiatives. Among them was Roehana Koeddoes, whose resistance is depicted in the short story, “Belenggu Emas”, by Iksaka Banu, wherein an indigenous woman from West Sumatra establishes a school dedicated to teaching women and a newspaper, Soenting Melajoe, published by and for women. This study aimed to represent Roehana Koeddoes’s resistance to Dutch colonialism in Banu’s story, using a qualitative method with a post-colonial theory approach. The results showed that Roehana Koeddoes’s resistance to Dutch colonialism was in the form of mimicry, hybridity, and ambivalence. The mimicry shown is the imitation of the colonial discourse regarding superiority of knowledge, education, ethics, and habits, as demonstrated by Roehana Koeddoes’ intellectual abilities in expressing her courage and opinion, through both her writings in the newspapers she owned and her activism as an educationalist and journalist, which inspired women across the Dutch East Indies, including Dutch women. Resistance in the form of hybridity occurs through spatial planning, which is indicated by the adoption of houses with Europeanstyle windows and the arrangement of living room corners that combine Eastern and Western cultures. Lastly, resistance in the form of ambivalence is shown by the attitude of the character, Roehana Koeddoes, who at equal times shows her eastern and western sides.

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“…Pertama, artikel jurnal karya Dewojati (2017) berjudul "Ambivalensi dan Kuasa Perempuan Terjajah dalam Karina Adinda: Lelakon Komedie Hindia Timoer dalem Tiga Bagian" pada tahun 2017 yang diterbitkan oleh jurnal Atavisme. Di dalam artikel jurnal tersebut diungkapkan ambivalensi dan resistensi tokoh perempuan terhadap kolonial Belanda pada teks drama Karina Adinda.…”

Section: Pendahuluanunclassified

Resistensi Tokoh Aku Terhadap Kolonialisme Di Musirawas Dalam Novel Kepunan Karya Benny Arnas

Asri

2020

humaniora

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This study aimed to reveal the forms of resistance to colonialism of character "I" in Musirawas in Kepunan novel by Benny Arnas. The theory used in this study is postcolonial theory. Data analysis was carried out by identifying forms of resistance identified by "I" character in Kepunan novel. The researcher described information about the resistance of the forms of mimicry, hybridity, diaspora, and ambivalence through evidences in the form of quotations. I addition, the researcher interpreted the resistance done by "I" character to the Dutch colonial government in Musirawas in the field of education. The result indicated that "I" character had a critical attitude towards discrimination of the Dutch colonial government in the field of education. "I" character had a critical attitude, that was, her awareness of having the same rights as the Dutch colonial. "I" character was against the Dutch colonial government in terms of intellectuality that needed to be honored. Intellectuality helped "I" character to gain the independence from the Dutch colony.

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Ambivalensi dan Kuasa Perempuan Terjajah dalam <em>Karina Adinda: Lelakon Komedie Hindia Timoer dalem Tiga Bagian</em

Abstract: Abstrak: Penelitian ini bertujuan untuk mengungkap ambivalensi dan resistensi yang dipresenta--sikan tokoh perempuan terhadap kolonialisme Belanda dalam teks drama

Cited by 4 publications

References 0 publications

The Discourse of Resistance in The Short Story Siapa Kirim Aku Bunga?

The Discourse of Resistance in The Short Story Siapa Kirim Aku Bunga?

Roehana Koeddoes’s Resistance to Dutch Colonialism in Belenggu Emas By Iksana Banu

Resistensi Tokoh Aku Terhadap Kolonialisme Di Musirawas Dalam Novel Kepunan Karya Benny Arnas

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