“…If the conceit of the issue is that the ''home'' we identify with and the ''home'' we find in autoethnography have something in common, and I think they must, then it makes sense that the fundamental questions motivating my engagement with autoethnography would take place at a similar conjunction of oppositions. When I reflect on these motivational questions, I think about the tension between the epistemic and the aesthetic that has motivated so much of my work (Gingrich-Philbrook, 1998a, 2005a, 2005b. My view of this tension reflects my culture, which is to say the questions about knowledge and art that circulate around me, structuring and restructuring my subjectivity as but one of their local expressions.…”