2010
DOI: 10.1111/j.1749-5687.2010.00114.x
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Alternative Analytical Axes of Brazilian Foreign Policy

Abstract: This article identifies the limitations of classical, sociopolitical, and interactive analytical axes for explaining the crisis of paradigms and the content of Brazilian foreign policy and to propose alternative perspectives to overcome these limitations. A constructivist axis is used to examine the co‐constitution of agent and structure and to identify the possibilities of change. A poststructuralist axis is used to show that Brazilian “Foreign Policy” reproduces practices of differentiation and is connected … Show more

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Cited by 8 publications
(5 citation statements)
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References 15 publications
(26 reference statements)
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“…Pluto escapes the assimilationist logic of occupation of the city space-in the case, Rio de Janeiro's downtown-by "pink capitalism" (Jesus, 2014;, which expects LGBT people to adjust to the culture and orientations of the dominant heteronormative rules. The creative queer places where men have sex with other men faces the homogenizing policies of the state and the market (Jesus, 2010) with a set of practices of body appropriation of the city amid the reconfigured landscape. The fetishist aesthetic generates the "dream atmosphere", in a universe based on the notion of satisfaction of the desire.…”
Section: The Queer Spaces Of Plutomentioning
confidence: 99%
“…Pluto escapes the assimilationist logic of occupation of the city space-in the case, Rio de Janeiro's downtown-by "pink capitalism" (Jesus, 2014;, which expects LGBT people to adjust to the culture and orientations of the dominant heteronormative rules. The creative queer places where men have sex with other men faces the homogenizing policies of the state and the market (Jesus, 2010) with a set of practices of body appropriation of the city amid the reconfigured landscape. The fetishist aesthetic generates the "dream atmosphere", in a universe based on the notion of satisfaction of the desire.…”
Section: The Queer Spaces Of Plutomentioning
confidence: 99%
“…Faced with the destruction of the affective space by the policies of the state and the market (Jesus, 2010), the unfolding of the film is structured in a set of practices of body appropriation of the city amid the reconfigured landscape: outdoor sex scenes, alternated with conversations inside the houses about death, love, family relationships and memory. In addition to a nostalgic response that would try to rescue a lost feeling, the film goes on to a direct confrontation, which passes through the expression of the bodies' desires in the city.…”
Section: Pornterrorism and Creativity In The Queer Spaces Of "New Dubai"mentioning
confidence: 99%
“…The fulfillment of these desires goes beyond winning prestige, wealth, and power. It means achieving preconceived models of happiness by having a certain ideal type of body or enhancing sexual performances [4][5][6].…”
Section: Introduction mentioning
confidence: 99%