Abstract:This article addresses Alan Moore's earliest work for zines and underground papers from 1971 to 1980. It argues that the hippie counterculture was a formative influence not only on his anarchist politics but his approach to cultural production, and an awareness of its significance is
therefore crucial to the critical understanding of his oeuvre as a whole. Equally Moore's experience of the underground augments historical understanding of the UK counterculture itself and the role of comics within it, and chall… Show more
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