al-Farāfīr

Abstract

Based on the Hegelian dialectic of the servant-master, this comedy represents, with the sarcasm and irony typical of its author, a profound reflection on the relationships between human beings. Starting from the local, with a pungent criticism on the social and political condition of Egypt in the Sixties, the two protagonists Farfūr and the Master guide and involve the spectator in a consideration on humanity and on the meaning of life that reaches universality. Divided into two acts, the comedy has no precise indications about time and space, which is confused with the time of representation, also thanks to the involvement of actors who are among the spectators. Discussing each other on names, trades and interpersonal relationships, the two protagonists criticise corruption, poor management of public health, social inequalities, but also the intellectual class that fails to give answers to people’s practical needs. The division in two of human society is even more evident with the second act, when the author’s reflection moves towards the existing organisational and economic systems, dismantling the complexity and reducing them again to a mere servant-master relationship. The other characters of the play are functional to the discourse of Idrīs: wives and children, spectators-actors and especially the figure of the author, who gradually disappears and abandons his own creatures to their fate.

Neutrinoless Double-Beta Decay: Status and Prospects

“…Other pervasive natural radioactivities, such as 3 H, 14 C and 40 K, have lower decay energies and do not impinge on 0νββ-decay searches. The techniques to produce radiopure materials for mechanical support are constantly being explored and refined; for example, electroformed copper and alloys (127,128), and polymers (129). Radioassay results from prior generations of low-background experiments (130,131,132) are now readily accessible as online databases (133) to aid the material selection process for future experiments.…”