Agents of Chaos: The Monstrous Feminine in Killing Eve

Miller, Alyson; Atherton, Cassandra; Hetherington, Paul

doi:10.1080/14680777.2021.1996423

Cited by 3 publications

(1 citation statement)

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“…In line with Creed's theory, these shows present violent women who fight against and challenge patriarchal systems. Similarly, contemporary literature on Killing Eve, such as the work of Sarah Gilligan and Jacky Collins (2021) and Alyson Miller, Cassandra Atherton and Paul Hetherington (2021), argue the show presents women who challenge the gendered norms of the dominant culture. However, both studies also indicate that Killing Eve can simultaneously be seen to maintain certain gender norms, as explored below.…”

Section: Hyper-femininity and Violencementioning

confidence: 99%

Dressed to Kill

Correll Trnka

2024

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Recent trends in contemporary horror TV present queer women as Western media’s latest anti-hero, foregrounding presentations of hyper-femininity as central to queer women’s violence. I examine how representations of ‘violent lesbians’ are used by viewers to aid in shaping and understanding their own identities. Drawing on fashion theory as well as Barbara Creed’s concept of the ‘monstrous feminine’ to examine the role depictions of hyper-femininity play in both highlighting and undermining women’s power, I present a textual analysis of two queer horror shows – Ratched (2020–) and Killing Eve (2018–2022) – alongside discussions with fans via focus groups and interviews. I examine how these shows represent queerness and femininity in relation to violent women, and how women and non-binary individuals collectively create meaning out of these representations. I argue that while these shows present viewers with alternative images of femininity, they also reinforce certain gender norms, supporting dominant power structures that present a restrained image of queer women’s deviancy, and one that is not available to all bodies. Viewers critically engage with this material, utilising these shows to expand their own understandings and expressions of identity, while also challenging the shows’ limitations.

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Section: Hyper-femininity and Violencementioning

confidence: 99%