2012
DOI: 10.1080/14443058.2012.703221
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Against provincialism: Australian-American connections 1900–2000

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“…Negativity is conspicuous: ‘provincialism appears primarily as an attitude of subservience to a hierarchy of externally imposed cultural values’ (1974: 54). Response pieces encompass discontent over a degree of narrowness (Van de Bosch, 1985; Murphy, 1988; Sanders, 2011), dissections of what is meant by the provincial in Australian and British art (Butler and Donaldson, 2012, 2017; Juliff, 2018), and attempts at a ‘solution’ based on appreciating that ‘Paris and New York are not the centres any more’, thus opening the way for circumventing the connotations of provincialism as ‘a dirty word’ (Allen, 2011). Reflecting at a distance of 40 years, in the wake of wrangling across Oceania in particular (McLean, 2009; Barker and Green, 2010), Smith does not mince words: ‘everyone coming to a love of art in a dependent cultural colony – as I did, in Melbourne and Sydney during the 1950s and 1960s – experiences […] in an everyday sense, as a pervasive and deep fact about their world, […] how power arrives from the wider world’ (2017: 8).…”
Section: Situating the Provinces Between The Social Sciences And The ...mentioning
confidence: 99%
“…Negativity is conspicuous: ‘provincialism appears primarily as an attitude of subservience to a hierarchy of externally imposed cultural values’ (1974: 54). Response pieces encompass discontent over a degree of narrowness (Van de Bosch, 1985; Murphy, 1988; Sanders, 2011), dissections of what is meant by the provincial in Australian and British art (Butler and Donaldson, 2012, 2017; Juliff, 2018), and attempts at a ‘solution’ based on appreciating that ‘Paris and New York are not the centres any more’, thus opening the way for circumventing the connotations of provincialism as ‘a dirty word’ (Allen, 2011). Reflecting at a distance of 40 years, in the wake of wrangling across Oceania in particular (McLean, 2009; Barker and Green, 2010), Smith does not mince words: ‘everyone coming to a love of art in a dependent cultural colony – as I did, in Melbourne and Sydney during the 1950s and 1960s – experiences […] in an everyday sense, as a pervasive and deep fact about their world, […] how power arrives from the wider world’ (2017: 8).…”
Section: Situating the Provinces Between The Social Sciences And The ...mentioning
confidence: 99%