2013
DOI: 10.1080/08949468.2014.852871
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After Amnesia: Memory and War in Two Lebanese Films

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Cited by 2 publications
(3 citation statements)
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“…Due to the prominent position occupied by the "politics of amnesia" of the conflict championed by post-war elites in keeping the country a deeply divided society (Aboultaif and Tabar 2019;Haugbolle 2010), in the past two decades the question of collective memory has occupied an increasingly relevant place in the scholarship on Lebanon (Haugbolle 2010;Larkin 2012;Rabah 2017;Salloukh et al 2019a). The topic has been addressed from a variety of vantage point and disciplines, stretching from urban politics (Khalaf 1994;Makdisi 1997b;Nagel 2002) and martyrs' cultures (Volk 2010), up to cultural productions (Haugbolle 2012;Launchbury et al 2014;Sawalha 2014) and "counter-amnesic" social movements and practices (Jaquemet 2009;Nagle 2017Nagle , 2020, which all stressed the intimate relation between the deliberate lack of a shared public memory of the conflict and the reproduction of sectarian identities. Amid this rich body of scholarship, the question of nostalgia has been predominantly addressed in relation to the instrumental use of the widespread imaginary of pre-war Beirut as the "Switzerland of the Middle East" in legitimizing the making of the capital's post-war neoliberal reconstruction (Makdisi 1997a).…”
Section: Nostalgia and The Lebanon Uprisingmentioning
confidence: 99%
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“…Due to the prominent position occupied by the "politics of amnesia" of the conflict championed by post-war elites in keeping the country a deeply divided society (Aboultaif and Tabar 2019;Haugbolle 2010), in the past two decades the question of collective memory has occupied an increasingly relevant place in the scholarship on Lebanon (Haugbolle 2010;Larkin 2012;Rabah 2017;Salloukh et al 2019a). The topic has been addressed from a variety of vantage point and disciplines, stretching from urban politics (Khalaf 1994;Makdisi 1997b;Nagel 2002) and martyrs' cultures (Volk 2010), up to cultural productions (Haugbolle 2012;Launchbury et al 2014;Sawalha 2014) and "counter-amnesic" social movements and practices (Jaquemet 2009;Nagle 2017Nagle , 2020, which all stressed the intimate relation between the deliberate lack of a shared public memory of the conflict and the reproduction of sectarian identities. Amid this rich body of scholarship, the question of nostalgia has been predominantly addressed in relation to the instrumental use of the widespread imaginary of pre-war Beirut as the "Switzerland of the Middle East" in legitimizing the making of the capital's post-war neoliberal reconstruction (Makdisi 1997a).…”
Section: Nostalgia and The Lebanon Uprisingmentioning
confidence: 99%
“…The topic has been addressed from a variety of vantage point and disciplines, stretching from urban politics (Khalaf 1994; Makdisi 1997b; Nagel 2002) and martyrs' cultures (Volk 2010), up to cultural productions (Haugbolle 2012; Launchbury et al. 2014; Sawalha 2014) and “counter‐amnesic” social movements and practices (Jaquemet 2009; Nagle 2017, 2020), which all stressed the intimate relation between the deliberate lack of a shared public memory of the conflict and the reproduction of sectarian identities. Amid this rich body of scholarship, the question of nostalgia has been predominantly addressed in relation to the instrumental use of the widespread imaginary of pre‐war Beirut as the “Switzerland of the Middle East” in legitimizing the making of the capital's post‐war neoliberal reconstruction (Makdisi 1997a).…”
Section: Nostalgia and The Lebanon Uprisingmentioning
confidence: 99%
“…I wondered which 'events' she was referring to. Could she have meant the Lebanese Civil War, commonly called 'al-ahdath' in reference to the intermittent nature of the violence (Sawalha 2014)? Or could she be referring to the July War as a series of violent events?…”
Section: Khiam Village: Humanitarian Psychiatry In Accumulated Violencementioning
confidence: 99%