African Art and The Colonial Encounter: Commodification and Restitution of Sacred Objects in Linus Asong’s the Crown of Thorns
DORA NYUYKIGHAN MBU
Abstract:African art though dynamic has changed in form, function, and meaning over time. However, the concept of Indigenous African art has remained static. This paper aims at examining the complex relationship between African art and colonial encounter while interrogating the commodification and restitution of African artifacts which has become a topical issue. This is because pre-colonial sacred objects have an aura of untainted timeless past reflecting the way of life of the African people. The colonial encounter w… Show more
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