1998
DOI: 10.1177/0887302x9801600403
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African-American Aesthetic of Dress: Current Manifestations

Abstract: This paper presents support for an African-American aesthetic of dress that has its roots in West African culture. The objectives were to determine (a) how an African-American aesthetic of dress is currently manifested and (b) the values and attitudes relative to that aesthetic. An afrocentric methodology that employs an interpretative paradigm was used in the study. This methodology assumes a culturally centered analysis of discourse in which human actions, emotions, and attitudes are interpreted and understo… Show more

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Cited by 24 publications
(36 citation statements)
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“…O'Neal (1998a) confirms the power of the black consumer in the marketplace and the desire of the black consumer to use dress as visual evidence of their ethnicity. Edmonds (1979) determined that black women were more fashion conscious and went shopping more frequently than the white women in the study.…”
Section: Black Consumerssupporting
confidence: 65%
“…O'Neal (1998a) confirms the power of the black consumer in the marketplace and the desire of the black consumer to use dress as visual evidence of their ethnicity. Edmonds (1979) determined that black women were more fashion conscious and went shopping more frequently than the white women in the study.…”
Section: Black Consumerssupporting
confidence: 65%
“…Because of the shift in demographics, several catalog merchants have recognized cultural diversity by targeting the African American market segment (Auzenne, 1999;Holloman, 1997;O'Neal, 1998a). Three companies launched catalogs targeted to minority shoppers in addition to their generic catalogs.…”
Section: Clothing Design and Marketing To African American Consumersmentioning
confidence: 99%
“…These apparel items served as symbols that represented African heritage and were linked to the civil rights era. For some, they were a symbol of rebellion and thus could be interpreted as adversarial statements (O'Neal, 1998a(O'Neal, , 1998b. Until the casual revolution there was no place for Black women of any age to express their culture via dress in the workplace.…”
Section: Cultural Dressmentioning
confidence: 99%
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“…Aesthetics can be defined as the study of human reaction to the non-instrumental qualities of an object. The total aesthetic experience includes the appreciation of the expressive and symbolic formal qualities of a garment, its appearance, its origin and performance (De Klerk & Lubbe, 2008;Fiore & Delong, 1994;Fiore & Kimle, 1997;Lu, 2015;O'Neal, 1998;Swinker & Hines, 2006).…”
Section: Introductionmentioning
confidence: 99%