2016
DOI: 10.1215/9780822374138
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Africa in the Indian Imagination

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Cited by 15 publications
(9 citation statements)
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“…Sing and Naidoo were both South African-born women of Indian descent, while Moraes and Sen were Indian men writing from 'the heart of the [Indian] subcontinent itself'. 12 A central metaphor of Burton's book is what she calls the 'jagged hyphen' found between Afro-Asian. 13 She highlights the fractures, resentments, angers and fears of black Africans that appeared in Indians' Cold War writings.…”
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“…Sing and Naidoo were both South African-born women of Indian descent, while Moraes and Sen were Indian men writing from 'the heart of the [Indian] subcontinent itself'. 12 A central metaphor of Burton's book is what she calls the 'jagged hyphen' found between Afro-Asian. 13 She highlights the fractures, resentments, angers and fears of black Africans that appeared in Indians' Cold War writings.…”
mentioning
confidence: 99%
“…12 A central metaphor of Burton's book is what she calls the 'jagged hyphen' found between Afro-Asian. 13 She highlights the fractures, resentments, angers and fears of black Africans that appeared in Indians' Cold War writings. Intimacies receive particularly close attention in the monograph, one example of which we can see in Burton's analysis of Chanakya Sen's The Morning After (originally published in Bengali in 1960 and revised and translated into English in 1973).…”
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