Abstract:This article discusses the affective dynamics of two interwoven spheres of musical life: on the one hand, the sphere of local musical engagements, often connected to the notion of scene; on the other, the sphere of digital music promotion and distribution via social media and streaming platforms. The almost omnipresent importance of the latter raises questions about motivational investments in local music-making in digital times. The discussion takes off from three conceptions of affect in the context of digit… Show more
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