Affective Architectures: Photographic Evidence and the Evolution of Courtroom Visuality

Abstract

This article examines the courtroom situation, focusing on courtroom spectatorship, architecture, and visuality in US trials. Visual evidence is situated within the architectural apparatus of the courtroom to examine how affect unfolds between a testifying witness and courtroom audience members. The movement of photographic evidence during judicial proceedings is linked to the disruption of temporal and spatial equilibrium. The idea is introduced that a feeling of vertigo is produced in the testifying witness and audience participants. Following Sianne Ngai’s conception of the ‘minor affects’, it is proposed that disconcertion and confusion are characteristics of witness testimony and thus important political affects to note in analyses of the relationship between vision and the discovery of justice in legal spectatorship.

Allegation escrow platforms: Target rape, reporter's dilemma, and the promise of "he said, they said"

“…The production and circulation of contemporary domestic violence photography -images of battered women -is also entwined with freedwomen's affidavits and memoirs (Rosen, 2009). Evidence of violence can be hard to discern Moore, 2018). Something similar to Black women's culture of dissemblance reappears in often ambiguous images of battered women that are open to interpretation and exacerbate the problem of reporting.…”