2013
DOI: 10.5871/bacad/9780197265536.001.0001
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Addressing Tipping Points for a Precarious Future

Abstract: BookAddressing Tipping Points for a Precarious Future This Version is available at: http://hdl.handle.net/10419/162999 Standard-Nutzungsbedingungen:Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Zwecken und zum Privatgebrauch gespeichert und kopiert werden.Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich machen, vertreiben oder anderweitig nutzen.Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (… Show more

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Cited by 14 publications
(1 citation statement)
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References 114 publications
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“…Hence, figuring out how to ensure broad and effective participation of all countries in the decision-making process represents another important dimension of justice in the climate regime. (Okereke 2010) O'Riordan and Lenton (2013) propose that "six features -global pervasiveness, uncertainty, interdependency, the reverberations of history, interdisciplinarity, and temporality -form the cultural foundation on which media engagement with climate change has developed and will continue to unfold." Yet one perennial problem with climate risk communication is that it is usually so clearly identifiable as climate risk communication, or nearby discourses like apocalyptic or superdisaster narratives, or science fiction (especially subgenres such as cli-fi or solarpunk).…”
Section: The Climate Storytelling That Does Exist Plays Out Against a Background Of Intensive Cultural Production Which Undermines It Andmentioning
confidence: 99%
“…Hence, figuring out how to ensure broad and effective participation of all countries in the decision-making process represents another important dimension of justice in the climate regime. (Okereke 2010) O'Riordan and Lenton (2013) propose that "six features -global pervasiveness, uncertainty, interdependency, the reverberations of history, interdisciplinarity, and temporality -form the cultural foundation on which media engagement with climate change has developed and will continue to unfold." Yet one perennial problem with climate risk communication is that it is usually so clearly identifiable as climate risk communication, or nearby discourses like apocalyptic or superdisaster narratives, or science fiction (especially subgenres such as cli-fi or solarpunk).…”
Section: The Climate Storytelling That Does Exist Plays Out Against a Background Of Intensive Cultural Production Which Undermines It Andmentioning
confidence: 99%