Abstract:The poetic work of “The Ruined Cottage” is carried out by acts of the “meditative mind” that Armytage identifies early in the poem (l. 81). The history of interpretation of the poem has been sorely vexed by Armytage’s closing statement, “I turned away / And walked along my way in happiness” (ll. 524–25). Far from standing alone, Armytage’s statement flows immediately from his repeated identification of a kind of “meditation” (l. 524). Contrary to Wordsworth’s later disclaimers, he learned much about this activ… Show more
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