“…Neural mechanisms underlying disruptive effects of altered auditory feedback on music performance remain largely unexplored; to our knowledge, no studies in the domains of speech or music production have examined neural responses to altered pitch feedback that matches future sequence positions. We propose that the auditory N1 ERP component, elicited about 100 ms following auditory onsets, could serve as a marker for the sensory processing of altered auditory feedback during production (Horváth, ). Amplitudes of the N1 component elicited by auditory onsets are decreased when sounds are self‐generated compared to nonself‐generated in button‐pressing tasks (Aliu, Houde, & Nagarajan, ; Baess, Horváth, Jacobsen, & Schröger, ; Bendixen, SanMiguel, & Schröger, ), and self‐generated speech elicits suppressed N1 responses compared to nonself‐generated speech (Christoffels, van de Ven, Waldorp, Formisano, & Schiller, ).…”