“…), I am also persuaded from experience of working with dancers that different bodies, different regimes of physical training, different bodily stances while listening (whether sitting, walking, dancing), even different clothing, can lead to different hearings of the same music (see Maes, Leman, Palmer, & Wanderley, 2014, for a recent summary of research in this field). Larson (2012) allows for such differences in his discussion of how listeners parse pulses into meter: the fact that people group beats in different ways "underscores the point that it is our minds, not just the stimuli, that shape the meaning that is created" (p. 137).…”