Preservation, Radicalism, and the Avant-Garde Canon 2016
DOI: 10.1057/9781137474377_12
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Acting in Front of the Camera: Avant-Garde Approaches to Staged Photography

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“…Its programme acted as a bridge between Russian and Western European conceptions of Constructivism and sought to form links with the Western European art scene. 47 This effort was evident in the magazine itself; the second issue, for example, included a greeting to the editors of the Bucharest magazine Contimporanul, and in the winter 1924 issue, the editors congratulated Ma on entering its tenth year. 48 The second issue also included a message from Marinetti which expressed fraternal feelings for Futurists in Poland: "With warm sympathies for my Futurist avant-gardist friends from Blok.…”
Section: Ma In the International Network Of Avant-garde Journalsmentioning
confidence: 99%
“…Its programme acted as a bridge between Russian and Western European conceptions of Constructivism and sought to form links with the Western European art scene. 47 This effort was evident in the magazine itself; the second issue, for example, included a greeting to the editors of the Bucharest magazine Contimporanul, and in the winter 1924 issue, the editors congratulated Ma on entering its tenth year. 48 The second issue also included a message from Marinetti which expressed fraternal feelings for Futurists in Poland: "With warm sympathies for my Futurist avant-gardist friends from Blok.…”
Section: Ma In the International Network Of Avant-garde Journalsmentioning
confidence: 99%